¶ … Irrationalists and the Enlightenment
Thomas Carlyle and his friend Mazzini were a couple of the "irrationalists" who opposed the Enlightenment developments and believed men needed a "new religion" (Stromberg 50) in order to guide them towards future progress. The Napoleonic Wars had upset the order that the Age of Enlightenment had cultivated -- essentially a Protestant takeover throughout Europe in which the Protestant ethos sat at the heart. The backlash against this Puritanism, however, was the Romantic Era, which pushed the opposite direction from the "science" of the Enlightened Protestants. It elevated passion, intuition, spirit, nationalism, history, the arts, the past, nostalgia, poetry, the humanities, etc. As Stromberg notes, the "irrationalists" and their followers "made art the chief avenue to truth" (Stromberg 148). Like Shakespeare's Hamlet, they believed that art held the mirror up to nature and told man who and what he really was. The men of Enlightenment science were negligent with this mirror -- refusing to look at it, suffering from idealistic dreams and Utopian visions. Many Romantics suffered from this, too, while others held a more realistic view and produced gothic works -- such as the Romantic poet Percy Bysshe Shelley's wife, Mary. Stromberg describes the "irrationalists" as "postscientific" -- men like Friedrich Nietzsche whose philosophy was born out of a poetic fancy rooted in Romanticism yet decoupled from the medieval scholasticism that had truly set the standard of reason centuries earlier. Nietzsche embodied the spirit, in a way, of Dostoevsky's Underground Man -- possessing all of the animosity towards the artificial, superficial world of the Enlightenment, yet none of the Christian virtue that Dostoevsky's later heroes recognized as the only possible, rational antidote to the philosophes.
There was also a political reaction, as shown by men like Klemens von Metternich, who wrote "The Odious Ideas of the Philosophes," attaching the French philosophes and their "false systems" and "fatal errors" that existed in their rationalistic doctrine (Perry 164). Metternich called their aims "detestable," their goal "all the more odious as it was pursued without regard to results, simply abandoning themselves to the one feeling of hatred of God and of His immutable moral laws" (Perry 164). Thus, on the one hand (the hand of the Enlightenment) "science" had reigned supreme and on the other, there arose a desire to see a restoration of order rooted in medieval morality. The French Revolution was a major reason for this push for such restoration, as it showed the ugly Reign of Terror that was lurking just below the surface of the Enlightenment, with its prideful show of certainty regarding how man could be "corrected" -- and when he resisted, the blood would flow. The Enlightenment fed directly into the brutal totalitarianism of the French Revolution, thus completely turning off men of some intellectual caliber who understood the heights to which man could rise and the depths to which he could sink.
Edmund Burke was another who criticized the developments in France, seeing the Revolution as a an ill-conceived plot to overthrow everything that was good and sacred in France. "The nature of man is intricate," argued Burke, "the objects of society are of the greatest possible complexity; and therefore no simple disposition or direction of power can be suitable either to man's nature, or to the quality of his affairs" (Perry 163). Burke's was a "rational" response to the Revolution, however, and would not be categorized as an "irrationalist." He stood for the societal order that still existed in England and was not a revolutionary himself.
Others, like Karl Marx and Charels Darwin, did advocate revolutionary changes to the old order -- and in one sense that did not so much as challenge the Enlightenment ideas as they did push them to their logical conclusions. Marx saw no sense in "reform" so advocated a "working class revolution" in which the laboring class would overthrow the bourgeoisie and destroy the ideology of capitalism (Perry 133), yet Marx himself had no ideology with which to suitably replace capitalism -- only communism, another philosophy rooted in materialism, as though materialistic answers were the only way to solve mankind's societal problems and inequalities. If one system did not work, another system surely would -- it was all in ironing out the mechanics. The problem was that Marx did not consider human nature at all. Humans at the top of a communistic system could still be just as corrupt as though at the top of a capitalistic system. Inequality and injustice would still flourish. What was...
constructing responses titles I listing. In response make show reference entry. (01) Discuss One of the most powerful movements that transformed European society during the early modern era was the dissemination of information and the propagation of reading material due to Johannes Gutenberg's invention of the printing press around 1450 A.D. The movement that would prove to have the most impact upon society as a whole, however, was the imperialist
Media The age of typography began with the Enlightenment and flourished in the New World, and coincided with significant social, political, and economic changes. As Postman (2005) points out in Amusing Ourselves to Death, Protestants with a predilection toward intellectualism made books and reading integral to American life. "The influence of the printed word in every arena of public discourse was insistent and powerful not merely because of the quantity of
A significant amount of the early cross-sectional studies with the DIT examined the developmental indexes of age and education (Rest, et al., 1999). Based on this prior research resulting in 5,714 participants, Rest (1979) reported that the typical DIT score increases every time the level of education increases. In fact the author concluded that Moral judgment was more highly correlated to education than was age. As such, with prior research
French Romantic painter, Eugene Delacroix, is well-known from this period. Delacroix often took his subjects from literature but added much more by using color to create an effect of pure energy and emotion that he compared to music. He also showed that paintings can be done about present-day historical events, not just those in the past (Wood, 217). He was at home with styles such as pen, watercolor, pastel, and
(Eliot, 1971). The Subjective over the Objective Modernism was a reaction against Realism and its focus on objective depiction of life as it was actually lived. Modernist writers derived little artistic pleasure from describing the concrete details of the material world and the various human doings in it. They derived only a little more pleasure from describing the thoughts of those humans inhabiting the material world. Their greatest pleasure, however, was
By connecting the awarding of a peace prize with the concerns of a world in which terrorism has become a constant threat, Obama makes clear the exigency of his message when he says: "I do not bring with me today a definitive solution to the problems of war." Nobel laureates are given few formal constraints in terms of their responses but Obama faced the more general constraints of trying to
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