Renaissance Art
The relationship between patronage and art
During Early and High Renaissance of Italy, it was through the vehicle of patronage was the key fashion in which an artist established his artistic identity as well as established himself economically. For instance, in considering Botticelli's "The Birth of Venus," it is important to remember that this vision is not an individualistic picture of a an artist living outside of his society. Rather, the patron who commissioned the Botticelli painting for his country villa was a member of the rich and powerful family of the Medici, and demanded that certain artistic standards and ideals be reflected in the work. (Sandro Bottecelli, Webart, "The Birth of Venus (http://www.ibiblio.org/wm/paint/auth/botticelli/venus/)
The Medici family had a fascination not so much with tale of Venus, but with the Neoplatonic philosophy of beauty this female form had the potential to represent. Venus, it was thought, and all beautifual and idealized human forms were supposed to be the "symbols of mystery through which the divine message of beauty came into the world." The harmonious nature of the composition of Venus combined with the lack of solidity of the figures in the work celebratates the beauty of the woman's form and the Medici's belief in a Neoplatonic world of the mythic forms whereby which understanding beauty, human beings understand the truth of God bathed in golden light. Bottecelli made this philosophy visual in his works.
In contrast, Jan Van Eyck's famous 1434 "The Arnolfini Wedding" seems at first glance seem to come from another time frame as well as a different nation. Even though merely originates from the Northern part of Europe during the Renasance instead of using images to embody the ideals of his patrons, real individuals are portrayed, although they are also used as symbolic entities. In the Northern Rennsaiance, patrons desired that artists give themselves as real individuals significant, cultural markings of greatness, such as the women's padded fertility in...
Renaissance and Baroque Periods The term Renaissance describes, not only a movement in art, but also a corresponding social and cultural movement that moved through Europe at the conclusion of the Middle Ages. The Renaissance period lasted from the 1400s to the 1600s, and spread through most of Europe, though it is probably the most heavily associated with Italy. The term "renaissance" means revival or rebirth, and the Renaissance did mark
Renaissance The term "Renaissance" means "to be reborn," or "rebirth," and as a cultural movement in Europe, the Renaissance is generally accepted to have begun in Florence Italy in the late 13th century. Some claim that it was the result of the fall of Constantinople and the many Greek scholars and texts which found their way to Italy soon after bringing with them not only the knowledge of the classical world,
The compositional structure here is actually quite daring. Even though a viewer tends to "read" a painting left-to-right, as with a book, here the left side of the canvas seems to fade away into nothingness. It is not just the empty seascape on the left as compared with the dark richness of the forest on the right. The left half of the painting contains the subject of the painting after
Renaissance Art Within the broad gamut of Renaissance art throughout Europe, two sculptures remain outstanding and worthy of mutual comparison. Those two works of art are Michelangelo's statue of David and Donatello's same. The latter is the predecessor; Donatello's David predates Michelangelo's by about fifty years. Donatello's sculpture of David is considered to be of the Early Renaissance period, and was completed by about 1430 (Hudelson, n.d.). Michelangelo's David, on the
34). The Renaissance man is also literally well-rounded: he should be agile and strong, with "shapely" limbs (Castiglione, p. 30, line 26). Renaissance women must also fulfill specific requirements. Though they should develop their bodies as well as their minds, Renaissance women should not undertake strenuous activities, as even dancing too energetically can impede her "womanly sweetness," (Castiglione, p. 35, line 192). Neither men nor women should take sport
Renaissance Sculpture The division of Renaissance art into three distinct periods began with Giorgio Vasari, the great Florentine art historian and chronicler of the lives of the artists. Vasari concluded, based on his universally accepted perception of Michelangelo as "Il Divino," that Renaissance art reached its most sublime expression in the works of Michelangelo and Leonardo da Vinci. However, some modern art historians wonder how valid or valuable this categorization and
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