Realism
In the early- to mid-1800s, Europe began undergoing a major transformation. The Industrial Revolution, as it is known by historians, radically changed the manner in which the world produced its goods. It also altered society from primarily agricultural to industrial and manufacturing. This new revolution brought significant levels of poverty and despondency to the new working class. The artistic form of Realism emerged as a result of these socio-economic changes. It sought to correctly portray the conditions and hardships of the poor with the hope of improving their living situations. While Romanticism glorified nature, Realism visualized the industrial world as a blight on society. Likewise, while the Romantics visualized life in a sentimental fashion, the Realists portrayed the second half of the nineteenth century in stark reality. Through their artwork, painters such as Gustave Courbet transmitted the beliefs, customs and aspects of those who rebelled against the Romantics. Rebuffed by the Parisian art world for their "realist" viewpoint, they stressed sympathy for the ordinary citizens whose lives were being profoundly impacted by the changes around them (Rubin, 4).
To Courbet, Realism was not so much a style of painting as a philosophy. His arguments with the present French art establishment concerned subject matter, not painting technique. Juries and the public shunned the Realists' work, because the art style broke away from the official Academic art. Courbet's paintings, such as the Stone-Breakers of 1849, which featured the laboring, faceless figures of an old man and adolescent boy, was criticized severely by critics who preferred mythological or idealistic subjects.
The Realists included a variety of painters who depicted reality in the cities and countryside. Jules Breton exemplifies this tradition. One of Breton's most famous artworks is...
In Braque's "Woman with a Guitar we can see the foreshadowing of the Synthetic Cubism period, when he introduces stenciling and lettering, a practice that Picasso was soon to imitate. Figure 7: Picasso, Le Guitariste"(1910 Figure 8: Braque "Woman with a Guitar" (1913 Synthetic Cubism/Collage 1912-1914: Braque was beginning to experiment further now by mixing materials such as sand and sawdust into his paint to create a more textured, built- up look and what
Art Asia and Africa in Western European Art Globalization is generally associated as a modern phenomenon, however, it is a global movement that began with the Greeks and did not accelerate until the renaissance era. The West, going back to Alexander the Great, has a long history of interactions with Asia and Africa. Ideas and goods were consistently traded. This trend of globalization accelerated with the age of exploration in the 16th
Modernism: Depth Analysis European Art Works 1860-1935 Modernism, in its widest meaning, is considered to be modern belief, eccentric, or practice. To add a little more, the word gives a description of the modernist movement occurring in the arts, its set of cultural propensities and related cultural actions, initially rising from wide-scale and extensive differences to Western civilization in the late 19th and early 20th centuries (Baker 2005). In specific the
Art Impressionism in art developed in the 19th century. Impressionist paintings were characterized by visible brush strokes, and subject was drawn from ordinary life and outdoors, rather than being confined to still life, or portraits and landscapes drawn in studios. Emphasis was laid on the effect of light changing its qualities as well as movement. These characteristics of impression can be well observed in the works of art by Gustave Caillebotte,
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art History: The Impressionists Baroque The word baroque has no clear origin. Some says that it came from a medieval philosophical word connoting the strange or the ridiculous, some consider it as derived from the Spanish barueco or Portuguese referring to an irregular shaped pearl. As 18th century was coming to an end baroque find its way to art criticism terminology in form of epithet leveled against art of the 17th century,
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