In Ramachandran's exemplar case for many of his laws, the Chola bronze sculpture of Parvathi is a metaphor for live, human women. She represents the appearance and virtues that mortal women may have, by virtue of her appearance being shifted away from that of the average woman; her appearance is a metaphor for her divine perfection. The scientific basis for Ramachandran's claims comes from behavioral studies of rats and herring-gull chicks, and from neural recordings of monkeys. In the case of herring-gull chicks, his description of the connection between peak shift in newborn herring-gulls towards an extreme visual exemplar of their food source and the aesthetic response to representational peak shifts in human art is a bit lacking. Gulls, he claims, have "hard-wired" neural circuitry that predisposes them to peck at elongated yellow objects with focal red spots when they are young. Presumably, this circuitry does not decay when gulls reach adulthood, although the pecking response can clearly be inhibited. Another major source of data that the author refers to is neural recordings from the fusiform gyrus (FFG) which has become known as the "face and place processing" area of the brain (Zeki, 1999). One of Ramachandran's more controversial assertions, in my opinion, is that the brief success of cubism is due to its ability to multiply activation of neurons in the FFG. Ramachandran leaps to the conclusion that this constitutes a "neural explanation for Picasso" (p. 177) but it...
Even Picasso was not always a cubist, and while the fractured portraits produced during the cubist movement were certainly sensational in their day, and still have the power to surprise us, I have not seen direct evidence that they produce stronger activation in the FFG than any other variety of portraiture. Of all the points in this book where I thought "someone should do that study!" this was the most obvious.
According to Kenney, it is the responsibility of clinicians to use their sensory processes to determine how these communications are articulated and to then to reflect them back to the communication system that is experiencing difficulties. This recursive mirroring process is described by Kenney as being "sociofeedback" that people can use to help readjust their relationships with their environment. In sum, the author maintains that it is the clinician's mirroring
Now, turn to Arizona Green Tea with Ginseng. The packaging for the single serving uses the label that is mint green with an oriental flavor, suggesting the benefits of Zen and the addition of ginseng and honey. Now contrast that with the Family One Gallon size, in a clear plastic, industrial container that looks more like detergent or motor oil than a delicious health beverage. Are the products identical --
..]. Furthermore, studies indicate that between 60 and 80% of college women engage in regular binge eating and other abnormal behaviours that fall short of the criteria set by clinical scales. Many college women who are at normal weights continue to express a strong desire to be thinner and to hold beliefs about food and body image that are similar to those of women who have actual eating disorders" (Hesse-Biber
Threats Luckily, Medicis Aesthetics' capital position as a subsidiary of Medicis Pharmaceutical Corporation also enables it to better weather external threats to the company, which certainly exists for the industry as a whole. Threats of litigation are a very real factor of how this industry does business, especially with certain product lines. In addition, the industry is now facing the threat of a prolonged recession, which many analysts claim we are
psychoanalytic as portrayed by H. Segal. It has sources. Psychoanalytic approach to aesthetics can best be understood by understanding the theory/ies that guide us on the study of this particularly complex discipline. The theory and guidelines of psychoanalytic approach enable us to offer some insight into the worlds of literature, art and music, and on the other hand, it also allows us to better understand artists' perception and inner approaches
African Aesthetics Artefacts from Africa exhibit their cultural context. Indeed, there is value in emphasizing formal aesthetics of objects and their expression of the religious and moral values (Ray, 1993) There is a moral basis in African aesthetics. One term that epitomises such truth is that in many African languages, there is a common usage of the same word that means good and beautiful. This is in line with the meaning of
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