.. Don't understand nothing about building their men up and making 'em feel like they somebody. Like they can do something" (Hansberry, I, i.). It is clear that Walter Lee still believes it is the woman's role to support the man in his endeavors, and not to make decisions or act on them. In her responses to him, Ruth displays her growing frustration with and rejection of this belief, which was also largely typical of the time -- as the fifties wore on and moved into the sixties, many women began to demand the same rights to money and work that they had experienced during the war (Learn History).
But though both Ruth and Mamma are quite telling about the role of women in the play and in society at large, Beneatha is arguably the most symbolic of the women. Her struggle is much more rooted in the upcoming 1960s, when both the women's rights and Civil Rights movements would really take off ("Women's History"). In the play, Beneatha struggles with the old and traditional desires of her family, especially as they get in the way of her dream of becoming a doctor. As an African-American female, this was a highly non-traditional dream, and is the clearest example the play provides of a woman -- and a person of color -- casting off the shackles of the identity society has pegged her with and attempting to define herself.
It is unclear whether or not this attempt was successful at the end of the play, which is fitting given that it appeared in 1959 and the issues of gender and race still aren't fully...
Raisin in the Sun Beneatha is ahead of her time in a Raisin in the Sun, by Lorraine Hansberry A Raisin in the Sun by Lorraine Hansberry, Beneatha is the daughter of Lena Younger and younger sister of Walter Lee who is married to Ruth. Walter Lee and Ruth have a ten-year-old son Travis, who gets his way often being the only grandson. Beneatha is a college student who desires to attend
She misrepresents the proposal of marriage of Asagai and is unable to provide the man who loves her so much and who understand her well. The complex character of Beneatha demonstrates another hidden quality towards the end of the play. The confrontation of Walter with Mr. Lindner reveals the arrogant statement of Mr. Lindner, "I take it then that you have decided to occupy." The easiness of Beneatha's reply
As to Walter's decision to use the money as he saw fit, we find a man who's suffering and discontent had blinded him to the real sustenance and value in his family. Truly, for the unhappiness which he had bore, and for the racial abuse shown to the family through such archetypal figures as Mr. Lindner, Walter might have seen himself as fortunate for the presence of all the family
Although treated unjustly by her older sibling, Beneatha has begun to question her desire to become a doctor, and is considering trying to get more in touch with her African roots instead. She wants to fix things in a more meaningful fashion than merely physically. The end of the play is bittersweet, because it is uncertain if the family will be happy in the all-white suburb, or safe, and because
It is the last thing Mama carries out of the apartment when the family moves, symbolizing the family's failure to thrive in their neighborhood. Both the plant and the Younger family are expected to blossom in their new surroundings. Walter Jr. wants to use the money to buy a liquor store with his friends. He believes that owning a business will give the family the financial freedom that will make
At the same time Bernice doesn't tell her daughter the history of the heirloom, in fear of waking the spirit. This means that even Bernice is not using her legacy positively, but is afraid of it. Both characters are able to embrace their history with pride by the end of the play, as Boy Willie comes to understand the Piano's significance and Bernice begins to play it again (Sparknotes.com) 3.
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