However, this relationship with a labor organization provides more than that. Former IWW members Larry Slade and Don Parritt are haunted by the organization. Although not a former member, Kalmer is an anarchist. The American Federation of Labor (AFL) divided workers into narrow unions pursuing particular interests related to their trades and working conditions rather than creating larger comprehensive bargaining units. The IWW approach to railroad workers, for example, was a single large union instead of separate locals of firemen, switchmen, engineers, porters, among others, united behind the common cause of all the workers -- this common cause also being formed with other sizeable unions to provide a single industrial front (ibid)..
Yet it was not only O'Neill who made a name for himself and the IWW with the Provincetown Players. Susan Glaspell produced a wide variety of plays during this time that also promoted women in the theater. One of these is a one-act subversive play called "Triffles," that frequently where men and women interpret quite differently the "evidence" of an alleged crime. Some critics see Glaspell's feminist writing at odds with her relationship with "Jig" Cook, and his wild schemes, financial and emotional dependence, infidelity and alcoholism. However, women working to support their men was not uncommon among their social set at that time, and Glaspell was anything but oppressed. Apart from an occasionally humorous but never unkind joke, she seemed content to facilitate Cook's pursuit of his dreams as the Provincetown Players (Jones 64).
They may have been a strange group, but the Provincetown Players provided an excellent outlet for their separate needs: political fervor, artistic zeal, trial of new works, Greek theater production, friendship and feminism. In his book Republic of Dreams: Greenwich Village, the American Bohemia, 1910-1960, the late Ross Wetzsteon retells the story of O'Neill's relationship with Jig Cook. O'Neill, young, tortured, nearly fatally alcoholic, is introduced to the idealistic company by a fellow drunk who knows that Eugene keeps some plays in a trunk. These experimental, irreverent plays are just what the Provincetown...
How -- she -- did -- change."(Glaspell) the second sense of the play's title becomes obvious: there is no place in the male world of overt action for women's fragility and sensibility, symbolized by the singing bird. The two wives intuitively understand that Mrs. Wright's husband could not understand or like "a thing that sang": "No, Wright wouldn't like the bird -- a thing that sang. She used to
Susan Glaspell,(Trifles). Please ensure original wor Formal Approach There is a great deal of irony found in Susan Glaspell's work of literature entitled "Trifles." Irony, of course, is when words are used the exact opposite of their literal meaning. The concept of situation irony also exists within literature, in which characters act the exact opposite of the way that a certain situation calls for. An examination of Glaspell's work indicates that
The words on the page are powerful as Williams uses symbolism to emphasize moods. Viewing the play with the plays of light and shadows would be a delight because we could see the characters moving in and out of darkness. August Wilson's play, Fences, is titled such because of the fences people tend to build between one another. This is demonstrated with Troy and Cory, who cannot agree upon much.
Wright as well as their own lives. Putting aside the fact that Toomer's Cane is a much different piece -- it is not a play and is much lengthier than Trifles -- the language, form and mood vary significantly. For example, "Fern," one of the stories in the Cane collection, first appears to be a portrait of an exquisite woman who nobody understands. However, the reader soon realizes that she
Holmes always solves the crime, and that fact is very satisfying to the reader. Similarly, the two women are inadvertently unearthing the clues to the murder alongside the searching investigators. Glaspell endears us to the two women through the use of personal experiences and memories. Through their similarities, the two women also endear the reader to Minnie Wright. This closeness in character makes it perfectly acceptable when the women
Susan Glaspell's Trifles The title of Susan Glaspell's drama Trifles indicates that it will deal with seemingly small matters: as Mrs. Hale says of the pivotal prop in the stage-play -- "Wouldn't they just laugh? Getting all stirred up over a little thing like a -- dead canary!" (Glaspell 27-8). Yet Mrs. Hale's sense that, if a male audience could see her dialogue with Mrs. Peters in Trifles by Susan Glaspell,
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