In the work Half Humankind, Katherine Usher Henderson and Barbara McManus explore writings that deal with much anti-woman rhetoric and stereotypes of the day. In Jane Anger's Her Protection of Women, women are exalted as being "made of better stuff" than men: " . . .we allure their hearts to us [ . . . ] we woo them with our virtues, as they wed us with vanities . . ." (http://www.pinn.net/~sunshine/book-sum/anger1.html). This stereotype certainly persists today; our culture largely ranks women as "classy" and guys as, well . . . "guys"-base, even a little "dirty," under the excuse of "that's how guys are." It's a hard stereotype to overcome in many instances-like the "guy" who studies ballet! In...
The most important structural changes in this second draft are the removal of passive voice and the creation of a complete these, so the paragraph stands alone, as an introduction. Draft 3 Poetry can be quickly developed and then easily smuggled out of any situation in the coat pocket of the writer or even written years later in memory of an event where life and/or liberty had been lost. This power
Poetry is often used to express emotion at its most romantic and infatuated, but sometimes it is used to describe the pillars of life behind that romance -- the sexuality, insecurity, devotion, and fidelity. Dorianne Laux, Anne Bradstreet, and Barbara Greenberg explore their very different relationships through poetry, examining this causal underpinnings through poetry. Using careful word choice, expressive imagery, and specific audience, each poet expertly wields her tool to
The horse race that Bukowski remarks upon as meaningless acts as a metaphor for life in general. We are all racing to win, but against the light of eternity, what does any of it mean. Are there any winners in life? This defeatist thinking is something everyone does; it is something that I have done, but when I step back and see that for myself the horse race is
" (lines 20-21) the journalist, the activist... must be the observer and not make the news. Lastly the point-of-view of the unnamed dead, "enemy" whose ears were cut off to use an example of cruelty and to elicit fear, "Some of the ears on the floor/caught this scrap of his voice. Some of the ears on / the floor were pressed to the ground." (lines 31-33) Perhaps the ears were
Poetry That Grabs Your Attention I agree with you that poetry, by virtue of its compressed form, needs to grab the reader's attention immediately in the way that prose does not. While readers of a novel might be willing to read a book for thirty or so pages if they are assured that the action will eventually 'pick up,' a poem needs to use intense images and arresting language from the
For this, I found it to be quite interesting. With hints of rhyme, the progression of the tale expresses something dark, which is constantly eluded after the depiction of undesired ash. This poem altered in mere few, subtle absences and additions with the revised edition. Both poems provoke an interest as to what the main issue and dilemma remains for the poet. It progresses smoothly without escaping the vestige
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