In this sense, during the First World War, because of the fact that the governments of the belligerent countries had to have the public support for the waging of the war, they acted in a propagandistic manner. More precisely, "under the name of propaganda or 'public information' (...) reports of reverses were suppressed or toned down. Victories were magnified. Everything was done, directly or indirectly, to keep people at home cheerful, confident, determined, industrious and united. Doubt and criticism, however justified, were discouraged or suppressed, and even in countries with a strong democratic tradition, the Press worked loyally with the government in galvanizing the national effort, in glorifying the national cause, and in discrediting the aims and achievements of the enemy" (Jepson, n.d.). Therefore, it can be pointed out that the entire array of techniques specific for a propagandistic process was used in this sense. The limited amount of information allowed politicians to take decisions in their own name and enabled them to be protected from public scrutiny.
Throughout the First World War alliances were made and broken, agreements were reached and disregarded. This course of events would not have been possible without a public opinion which was constantly misinformed and fed with information that was far from accurate. Woodrow Wilson's request for open diplomacy came indirectly in response to the need for a wider openness towards the people. The public opinion represents one of the most efficient mechanisms of verification in politics. It can sanction politicians or elect them as their representatives. Aware of this fact, the promoters of propaganda sought to control this capacity of the public and used every means possible to create for them a different image of the surrounding reality.
The Second World War but especially the events preceding the great conflagration is an obvious proof of this fact. The Nazi propaganda and the Soviet one were two of the most important tools in preparing the world and the German and Russian peoples for war. The Nazi propaganda followed a particular course of action. This can be explained through the fact that the propagandistic mechanism was established and led by one person, Adolf Hitler. Some argue that in fact his ministers were mere lieutenants for his massive plan of increasing the support for Hitler's cause which was the reestablishment of the power of Germany in Europe and worldwide (Fraser, 1957, 53-4). More precisely, he advocated the increase need for people to support the cause of Germany, necessity for the establishment of a powerful Nazi party. Thus, he employed the bandwagon technique but in its modern acceptation. Therefore, people came to believe that without the adherence to the Nazi party, they would be left outside the system and without the possibility of engaging in the creation of greater Germany. He used maps and presentation of events that in the end proved to be misleading in order to create for the public an image that would motivate them to take a stand against the misfortunes of history and of the European countries (Herb, 1997); in this sense, he used reverse psychology which enable him to take practical and political control of the country and of the German people.
Another line of direction for the Nazi propaganda was the Jewish problem. In order to convince the masses of the gravity of the issue of the Jewish immigrants and of the need for their extermination, Hitler used the Arian theory which stated...
Propaganda is an important tool for shaping public opinion during wartime. The United States initially resisted using propaganda, but later established two official government propaganda agencies: the Writers War Board and the United States Office of War Information (Riddle, 2016). The latter became the primary propaganda engine during World War Two. The Office of War Information used multiple media for propaganda dissemination, including the relatively new media like comic books
Propaganda vs. Art Propaganda may be defined as "the activity or the art of inducing others to behave in a way in which they would not behave in its absence." central question in the debate about propaganda vs. art is - can the artist be separated from the art he or she produces and to what extent is the artist complicit with the use of their artworks for propaganda purposes? Many feel
Propaganda While we may be shocked by the U.S. government's attempt to spread disinformation about the current war on terrorism, we should not be. Governments have always been less than fully forthcoming to their citizens, although they rarely admit to lying. Rather they see it as a form of propaganda, and thoroughly patriotic. Moreover, while the term "propaganda" is almost always used in a pejorative sense and as citizens of a democracy
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The French in particular, as they are to this day considered to be one of the greatest losers of the war (and the most important battle field of the war) were in desperate need of men to reconstruct the country. Therefore, the immigration policies changed and allowed for an increase in the labor force flow. More precisely, "due to a perceived demographic insufficiency and labor market needs, the French government
..to work properly, propaganda must strike a balance between reason and emotion." That may be true - it's probably why some political advertisements have been so effective, such as the "Daisy" ad used against Goldwater in 1964 and the "Willie Horton" ad used by then-Vice President George Bush against Michael Dukakis. Both of those ads were effective, but I question anyone who would argue that the ads were honorable. The one
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