Here we can see that Agamemnon struggled over what to do but finally set his eyes upon the prize. His crime becomes justified through the victory. However, when Agamemnon kills his own daughter, he is violating one of the most fundamental rules set in place by the gods, which prohibits the murder of a family member. Agamemnon is indifferent to what he has done. When Clytaemestra confronts him about it, he says, "I have no fear" (925) in relation to his sense of right and wrong. The gods will not allow him to enjoy his victory just as they did not allow Paris to enjoy his. Zeus uses others to exact this revenge with Clytemnestra being the most powerful example of how events work out to his favor. When she murders Agamemnon, we see how the glory of the king and his victories do not matter in the gods' big picture. In fact, it is worth noting that Agamemnon's victory can never fully be enjoyed because he returns to an embittered wife. Clytaemestra becomes an agent of Zeus because she refuses to let Agamemnon forget what he has done to their daughter. When Clytaemestra murders Agamemnon, it is as if she recognizes her role in the big picture by announcing that is "proud to tell the truth" (1392). She believes that she is completely justified in taking the actions of Zeus in her own hands. She is not remorseful nor is she afraid of any retribution. Even thought she, too, has committed her own sin of infidelity, she is vindicated in the play. The Chorus does hint that Agamemnon will be avenged but we do not see it in this play. In fact, at the end of Agamemnon, Clytaemestra and Aegisthus seem to walk away unscathed. Aegisthus even...
The play ends with the two of them claiming to restore order to the house and walking away.
While none lacked a sense of the importance of serving the community, they came from increasingly different perspectives on how long to tolerate the peril posed by a crumbling civility. Indeed, for some, a sense that the Islamic fundamentalist groups around them would see to their deaths invoked a question as to whether it was even a worthy goal to serve such a community. However, the monks were united in
Sometimes, as we see in King Lear, the thirst for power leads to nothing but trouble. It should be noted that the power did come but it was not enough to erase what had already happened. As a result, of this power hunt, King Lear and Cordelia discover what true love is all about. Gloucester and Edgar also learn the value of love. In "The Wife of Bath's Tale,"
history medical studies have concluded that prayer helps to heal the sick. Many political meetings begin with a prayer and American currency has the words "In God We Trust" imprinted on its face. Around the world God is a powerful deity and one that has historically led entire societies to make decisions based on God's word. While God has been the single deity that leads and guides societies in
Technology in Musicals Musical theatre has existed in some form for centuries. Theatre is an art form that allows many emotions to be expressed through acting and music. While talented performers are most responsible for being characters to life and performing the music contained in the production, musical theatre also relies on other factors to guarantee the success of a musical. These factors are inclusive of ambience (i.e. The way that
After Cato saw that his forces were defeated by Caesar, in traditional Roman fashion, he fell on his sword and committed suicide. Despite this great loss for the Senatorial faction, Pompey's sons Gnaeus Pompeius and Sextus Pompeius, together with Titus Labienus, Caesar's former propraetorian legate (legatus propraetore) and second in command in the Gallic War, escaped to Spain, where they continued to resist Caesar's dominance of the Roman world. Caesar
The figure of Zeus in the form of a human being also played a great role in Greek art. The Greek sculptor Lysippos was widely known and admired for his monumental statues of Zeus. Perhaps this is why he was asked to create a full-size portrait of Alexander the Great now known as the Scraper, a Roman copy after the original bronze statue made around 330 B.C.E. According to legend, Lysippos
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