Power of Blood in Shakespeare's Macbeth
Blood is powerful when it comes to invoking images and William Shakespeare knew when he wrote Macbeth, the audience would remember everything with blood imagery sprinkled throughout the drama. Blood imagery helps emphasizes the extrreme change in Macbeth's character and it is compelling because blood is vital for life. When we see blood, we generally think of life or death in some or another.With Macbeth, Shakespeare reminds us not only of the loss of life but the loss of sanity that also occurs as a result of the death that occurs in the play. As the play progresses, blood represents guilt, which eats Macbeth alive. Later, we associate blood with justice. Blood symbolizes the lives and minds that are lost in the play.
Blood is present from the easrly moments in the play, establishing an eerie mood. Mark Van Doren writes Macbeth's world is a world that has "grown terrible with ill-smelling mists and the stench of blood" (Van Doren 347). He says the presence of blood "sickening" (353) because the imagery only "darkens" (353) after murder takes place A.C. Bradley says it "cannot be an accident that the image of blood is forced upon us continually, not merely by the events themselves but by full descriptions" (Bradley 278). Shakespeare never glosses over blood, but instead fills our minds with images of it, so it is never far. He uses blood to highlight the change of Macbeth's character. As Macbeth's...
She declares that a man who snatches what he desires is actually a true man. Lady Macbeth burdens herself by seducing his husband into committing the murder afterall. Although, initially she has the strength and potential to deal with the task of abetting in a murder and thinks she will be able to forget all about it once she becomes the Scottish Queen but eventually conscience overpowers her vices. She
Macbeth and Oediups Rex are great tragedies from two very different time periods. Even though such different writers wrote them, and in such different times, the similarities that exist between the two are remarkable. Shakespeare and Sophocles both understood exactly what it took to write great tragedy. By comparing how fate plays a part in each play, it is better seen that perhaps Sophocles and Shakespeare were on similar wavelengths.
To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue; look like th' innocent flower, But be the serpent under't. He that's coming Must be provided for; and you shall put This night's great business into my dispatch, Which shall to all our nights and days to come Give solely sovereign sway and masterdom. (I.v, 60-70). Macbeth shows no ill intent towards his king when he informs his wife that
Shakespeare Macbeth and the Struggle between Good and Evil Like all of Shakespeare's tragedies, the action of Macbeth is based around the fatal flaw of the man who would otherwise be a hero. For Macbeth, his flaw is his ambition. He allows his ambition to drive him and this overcomes his reason. In doing so, he chooses the path of evil over the path of good. In the end though, he cannot
Shakespeare's Macbeth represents what many refer to as the tragic hero. This can be proven by examining Macbeth's character. Through a series of bad decisions, Macbeth single-handedly ruins his own life. By allowing himself to be influenced by outside forces, Macbeth diffuses his own moral strength and good nature, which were the very things that led him to greatness. Step-by-step throughout the play, the reader can watch Macbeth's character deteriorate
They believed in the idea of Wyrd, or the Nordic version of fate. This fate was based on past events of an individual's life. Their future would be adjusted accordingly by Wyrd, much like the Eastern idea of Karma, (Herbert 1995). It was the destiny of all men, based on what individuals had done previously in their lives. This element is prevalent throughout Shakespeare's Macbeth, in that his fate
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