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Post Modern Art Impressionism Was Term Paper

On the other hand the industrialization, rapidly growing of the art world, that brought new approaches to paint, an oil colors. The new technology offered the artists more vivid colors than the ones the former painters had to prepare by themselves in their own studios, and this opened a gate to play with a new palette of bright colors and hues.

The industrialization brought more consequences than just the new paints and materials available.

The past-paced society gave a new sense of speed to everything. It seemed like an artist had to be fast-paced as well to keep up with the crazy rhythm of the mechanical society they lived in.

Painting became fast paced -or at least it seems that way in the resulting effect. Impressionism looks unfinished because of the free brush strokes that characterize this style. The texture of an impressionist work seems almost rushed. The final work resembles what in the past had been considered a sketch of the completed version.

They look dynamic, in motion,...

This brought harsh critics from one side of society that considered that art must remain faithful to a few traditional rules, and at the same time, inspired others to a new conception of rebelling against the rules and creating a new aesthetic vision.
To understand Impressionism it is important to understand the world it was born in. A new century was approaching, and people expected to see more changes and innovations. Their minds were receptive and searching for any possible change in their points-of-view.

References

Monan, Berence. (2006). Impressionism. Berlin: Broschiert Sprache.

Muller, Joseph-Emile. (1974). Impressionism. New York: Leon Amiel Publishers.

Pool, Phoebe. (1967). Impressionism in Europe. New York: Thames & Hudson.

Tinterow, Gary. (1994). Impressionism: Styles, Manner and Genres. New York: Metropolitan Museum of Modern Art.

Sources used in this document:
References

Monan, Berence. (2006). Impressionism. Berlin: Broschiert Sprache.

Muller, Joseph-Emile. (1974). Impressionism. New York: Leon Amiel Publishers.

Pool, Phoebe. (1967). Impressionism in Europe. New York: Thames & Hudson.

Tinterow, Gary. (1994). Impressionism: Styles, Manner and Genres. New York: Metropolitan Museum of Modern Art.
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