On the other hand the industrialization, rapidly growing of the art world, that brought new approaches to paint, an oil colors. The new technology offered the artists more vivid colors than the ones the former painters had to prepare by themselves in their own studios, and this opened a gate to play with a new palette of bright colors and hues.
The industrialization brought more consequences than just the new paints and materials available.
The past-paced society gave a new sense of speed to everything. It seemed like an artist had to be fast-paced as well to keep up with the crazy rhythm of the mechanical society they lived in.
Painting became fast paced -or at least it seems that way in the resulting effect. Impressionism looks unfinished because of the free brush strokes that characterize this style. The texture of an impressionist work seems almost rushed. The final work resembles what in the past had been considered a sketch of the completed version.
They look dynamic, in motion,...
The preoccupation for light effects is present in this painting as well, portrayed by the many lights and reflections seen on the great mirror behind the girl; objects that accentuate her presence by drawing the eye towards her, instead of stealing the attention of the viewer. The image reflected on the mirror transforms the scene into a more dynamic one by the tacit introduction of more characters: the girl, that
Henri Matisse -- Western Tradition HENRI MATISSE: FAUVISM AND THE WESTERN PICTORIAL TRADITION Henri Matisse (1869 -- 1954), a painter, draughtsman, sculptor, printmaker, designer and author, came into the world of art comparatively late in his life and made his reputation as the main exponent of Fauvism, the first avante-garde artistic movement of the 20th century. As Jacques Lassaigne points out, Matisse "never ceased probing the mystery of the creative process and applied
Impressionism and Surrealism Impressionism Impressionism was a 19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s (Rewald, 1973, p. 6). The name of the style itself is derived from the title of a Clajude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a review in a Parisian newspaper
In reality, Van Gogh did not seek nor did he analyze the harmony of nature here; instead, he transformed it by projecting a vision entirely all his own. In conclusion, the great Impressionist painters revealed in their work a restless, self-conscious search for freedom of expression so characteristic of the late 1880's and into the early years of the 20th century. Their desire for a more modern form of expression
art time period (1860-1910) catches eye, reviewed Case assignment. It reminds event life kind emotional reaction . I ntroduce report information artist, work chose reflects Impressionist values, information helps understand work. Van Gogh's "Starry Night" Vincent Van Gogh's 1889 painting Starry Night is certainly compelling and likely to captivate the attention of any individual seeing it for the first time. There is something special about this particular artwork, as it virtually
Color Me Three The use of color by artists depends on both personal predilections as well as environmental and social circumstances. This paper will use the works from three well-known artists to illustrate the assumption that the use of color and the style of each artist is combination of these various factors. An important issue that will be dealt with is the artistic climate and the predominant view on art and
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