Post Impressionism and Toulouse-Lautrec
Henri de Toulouse-Lautrec
Henri de Toulouse-Lautrec was born in Albi, France on November 24, 1864 to an aristocratic family. After breaking both his legs in separate accidents, it was discovered he had an inherited bone disease, and his legs never grew to their full potential. He enjoyed art, and in 1885, he began to exhibit and published his own work. Toulouse-Lautrec's work was exhibited throughout Paris and included exhibitions at the Salon des Independents in Paris and Les XX in Brussels, Belgium. At the age of 36, he died of alcoholism and syphilis on Sept. 9, 1901.
The nightlife in Paris impressed Toulouse-Lautrec and he incorporated this lifestyle into his paintings. He was also exposed to the controversial new style that was developing: it was called impressionism. Toulouse-Lautrec was similarly intrigued by edouard Manet's open-air paintings and the work of Edgar Degas, especially his depictions of dancers, horse races, and city life. Toulouse-Lautrec soon met Vincent van Gogh. They quickly became friends and even worked together occasionally. They were influenced by many of the same ideas about art, and both had tempestuous inner lives that they longed to commit to canvas. The two painters nonetheless developed very different styles.
The 1880's saw Toulouse-Lautrec auditioning a variety of styles. Many of his early paintings, including a portrait of his mother reading, are reminiscent of the impressionist paintings of the day. Another key influence of this time was Japanese art. Toulouse-Lautrec adopted many of the elements of Japanese prints and they included decorative patterns, broad...
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Pissarro took a special interest in his attempts at painting, emphasizing that he should 'look for the nature that suits your temperament', and in 1876 Gauguin had a landscape in the style of Pissarro accepted at the Salon. In the meantime Pissarro had introduced him to Cezanne, for whose works he conceived a great respect-so much so that the older man began to fear that he would steal his
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Four men stand out as the penultimate figures of Post-Impressionism, namely, Georges Suerat (1859-1891), Paul Cezanne (1839-1906), Paul Gauguin (1843-1903) and Vincent Van Gogh (1853-1890), all of whom at first accepted the Impressionist methods and then moved away from it toward a new type of painting. In the case of Cezanne, the basis of his art had much to do with studying nature in a new way, for his aim
Vincent Van Gogh, Frank Lloyd Wright and Madeleine Vionnet. What did this 19th century artist, architect, and fashion designer share in common? Very simply: They all incorporated Japanese techniques into their works of genius. When Commodore Perry opened the doors to this Eastern country in 1853, an abundance of unique and influential styles of art rushed out and captured the imaginations of artists throughout the Western world. As author Emile
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