Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice" by Jilian Hernandez, the essay explores the concept of 'raunch aesthetics' in the video for the song, "Don't Let Go." Hernandez also explore the notions of community cultural capital, color blind/new racism, and postfeminism through the performance of the women in the video. Hernandez's interpretation of queer and feminist teachings via these four concepts and through the music video provides a unique look, into analysis of text and visuals to gather and form ideas and theory.The first concept to analyze is 'raunch aesthetics'. A term see in feminist theory, 'raunch aesthetics' describes the women in hip hop and the various ways they express sexuality via staging, choreography, and performance of lyrics. Women in hip hop that participate in 'raunch aesthetics' are thought to attempt to own their sexual identities as well as their bodies by performing these physical/verbal expressions. The women Hernandez discusses in her essay go by the name Yo! Majesty. They are based in Tampa, Florida and use lyrics depicting a sexual desire for women, openly and frequently.
Hernandez uses the video, "Don't Let Go" to provide readers with an excellent example of 'raunch aesthetics' by explaining how the woman in the video owns her body, enjoys showing it off, and encourages other women to do. Hernandez notes no men are present in the video, within the spaces the protagonist enters, and she is free to booty clap, titty shake, and enjoy herself.
She walks out onto the streets of a nondescript urban area in the UK. The video follows the woman as she spends the evening suggestively dancing with delight in unorthodox venues such as a nail salon, bridal dress shop, tanning salon, and yoga studio....
CL's "Hello Bitches" and the Post-Feminist Representation of the Body In the music video by CL entitled "Hello Bitches," CL has managed to escape the constriction of the typical K-pop girl group (sexy, innocent, seductive, chic) by asserting a more aggressive, masculine-mimicking (gagsta-rap-mimicking to be exact), hyper-sexual attitude of domineering vibes; yet, in doing so, she has fallen into another and separate trope -- not the trope of the cute/sexy K-pop
Women have always been part of hip hop, even though their accomplishments and impact have been understated and unsung. Yet any cursory examination of the history of hip hop reveals countless female musicians and performers. Some, like Queen Latifah, Missy Elliot, Salt-N-Pepa, Lauryn Hill, and Nicki Minaj, become household words. Hundreds of others remain behind the scenes, known mainly to audiophiles or serious music historians. Tracing hip hop back to
Shirley Chisholm An Analysis of the Life and Work of Shirley Chisholm In light of the fact that black feminism has gained more of a voice in the last few decades it is important to remember the people who first brought the plight of the black woman, specifically, to the forefront of national public and political discourse. One of these women was Shirley Chisholm. She was the first black member of the
Marxist Eye on the Contemporary, Commercialized Corporate 'I'" Karl Marx, although famously, personally ignorant of his own wife's domestic suffering while he labored in the British Library, still provides an ideologically coherent model to examine how materialism, commercialism, and the oppression of women and other ideologically (though not always economically) marginalized groups invisibly occurs within our class-bound society. One of Marx's most basic claims, and one particularly dear to post-modernists, was
DYNAMICS BETWEEN ART & TECHNOLOGY Art & Technology From the earliest moments of human history until the present and certainly into the future, the relationship between art and technology will be a dynamic one. Technology has directly impacted art forms such as architecture, photography, sculpture, and painting. Painting, sculpture, and architecture are much older art forms than photography, whose roots come from the latter portion of the 19th century. Nonetheless, each
Development of Music Education in AmericaIntroductionMichael L. Mark�s �A Concise History of American Music Education� is a detailed and insightful look at the development of music education in the United States. Mark traces the origins of music education back to the early days of the republic, when musical training was seen as an essential part of a well-rounded education. He goes on to discuss the rise of professional music educators
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