The war is driven by the modern military which has abandoned its warrior ethic and now fights with guns -- a theme repeated in The Last Samurai. Again Funakoshi represents this position. He tells the Japanese military captain, "Who I challenge to Kung Fu and what I do is no business of the military. . . . I am not a politician." The distinction between colonial imperialism and true warrior ethic is pronounced. The military captain is disappointed in Akutagawa's failure to destroy the rival sect, and kills him, although he has the true spirit of the Samurai about honest fights and honor. The military leader can only say, "To best serve the Japanese emperor, you'd better forget what is right or wrong." This highlights the contrast between new imperialist might, technology, and economic power and the old warrior system. The symbolic struggle between national identities is epitomized in the division within the Jing Wu Men in two ways. The first breach is in the search for whoever poisoned the master. Chen Zhen breaks with filial piety and respect when he disinters the master and performs an autopsy on him. They find evidence that he was poisoned, and they come to think it was an inside job. This is unsettling for the group. The cook is under suspicion. Chen Zhen shows his influence by telling the cook, "If your food killed Master, we would all be dead by now." He further takes it upon himself to instruct the others without permission, teaching them the Japanese side-kick under the glare of Ting'en. Thus, Chen Zhen becomes a rival to Ting-en for the group's leadership. This is an important rift. It comes to represent two ways to approach the dilemma -- conflict or reconciliation. It is not until Chen Zhen's lover is found to be Japanese that tensions escalate. It casts suspicion on Chen Zhen's group and ethnic loyalties. Ting'en demands that he leave her or leave the group. This shows an obvious bias against the Japanese, the outsiders, who refuse to accept her. They wage battle and the victor, Chen Zhen, leaves anyway, showing his preference for ethnic reconciliation. Chen Zhen is labeled a traitor...
Spirit of the Samurai I suppose I became a modern Samurai through the experience of my father's death. My father belonged to the old school of Samurai philosophy -- a way of life that I despised for one reason - he committed ritual suicide known to the Samurai as Seppuku, or Hara-kiri. I remember the day that he died. It was cold and very early in the morning when he
Just a half century ago, though, the country was brought to its knees after becoming the first - and only - country to ever be attacked with nuclear weapons. While the pundits continue to debate whether the two atomic bombs used to end World War II were truly necessary, the fact remains that they were used because policymakers in the West believed that the Japanese people would defend their
This film is distinguished from the average samurai film by the director's "masterful handling of cinematic technique," in which he captures the essence of a scene in a mere few moments with a series of glances rather than dialogue and special effects. Moreover, Kurosawa creates a moral complexity of good and evil, creating sympathy for both the samurai and the farmers, and although the samurai are portrayed as heroic while
Fall of the Samurai: From the Tokugawa to Early Modern Japan Fall of The Samurai: From The Tokugawa Era to Early Modern Japan Japanese samurai are counted among the world's most popular military forces; they emerged in pre-medieval times and were active from the seventh to late nineteenth century. The samurai were initially employed as mercenaries, but quickly evolved to become the Japanese Empire's chief military force; before long, they transformed, in
Nutrition, Rituals, Spirituality, And Health Care Practices of the Samurai Culture, As Depicted Within the Movie The Last Samurai According to Tom Stovall and Dustin Granger, "The ancient Samurai, Miyamoto Musashi wrote in his "Book of Five Rings,": "It will be difficult for you to succeed unless you look at things on a large scale'" (PharmaCafe). Similarly, within the movie The Last Samurai (2003), director Edward Zwick shows various ways in
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
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