Music Producers Biographical Introduction: Teo Macero Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, Record Producer," as if readers would need that crucial bit of

Popular Music The New Face Book of Rock and Roll An entirely new book (okay score) on the future of music and the place of rock and roll is being written, and yet we really can't even tell what the experience will be like, though it will most likely be a continued mix of country/folksy democracy. What we can tell is that it will come in the packaging of a self-published,

Scorpions The audience for popular music frequently assumes that the songs heard on the radio or downloaded from iTunes are predominantly a form of personal expression on the part of the artist, and that song lyrics may express the most raw form of autobiography (such as the recent Grammy-winning success of "Rehab" by Amy Winehouse, who turns up in tabloids to demonstrate that she practices what she preaches) but they do

Though formulaic language expressions have been in regular use, in popular media forms, for at least the majority of the twentieth century if not indeed for centuries longer, their recognition and study is recent development (Van Lancker-Sidtis & Rallon 2004). Some texts have even been found to be comprised of a quarter or of formulaic expressions, demonstrating at once a reliance on collective cultural interpretations and a marked lack of

The economic pragmatism that the Marshall Plan demonstrates for the United States is not necessarily as clearly observable form a basic look at history as is the containment of communism. The decades following World War II and the implementation of the Marshall Plan were definitely economically successful fro Europe and for the United States, but how this relates directly to the Marshall Plan and not simply to the end of

Gayatri Gopinath, associate professor of women and gender studies at the University of California at Davis, says that many of these young Asian-Americans who join artistic subcultures are individuals who cross over from one country to another in addition to not fitting into the norm of gender, sexuality or psychology. A first-world homosexual transnational has difficulty finding rights of citizenship or dual citizenship in any geographical locations of a diaspora