They are only trying to justify their actions; they are handing excuses, telling the events as they happened. And in the end maybe these characters do find an excuse, the one that they are both human, bound to fail and to be influenced, sharing the same planet and dealing with the same kind of people. The two personages enjoyed having power and realized in the end that having power doesn't necessary make them omniscient.
Both Robert McNamara and Yuri Orlov had the lives of numerous people in their hands. Maybe these characters felt the need to retell all their stories, in order to let all the demons trapped inside their conscious out.
The characters presented in the two movies were able to depict the laws and needs of man and rose above law; they become a sort of demigod. In Yuri's case this was shown during his tramping across west Africa where armed men were unable to kill him and the hyenas confront him (these animals treat him as one of their own, as a matter of speaking the hyenas and Yuri "feed themselves with dead bodies"). Yuri declared: "I felt cursed with invincibility." Yuri was trapped in his own personal hell.
Andrew's Niccol's "Lord of War" ends, and the world goes on revolving. The echoes of Yuri's voice "evil prevails," is chilling. Such are the words of the ex-secretary of defense when he admits that the world came very close to nuclear destruction: "in the end we lucked out..."
It's not our war, and no matter what we do we can't stop it," taking Yuri's words in consideration, the difference between him and the ex-secretary of defense becomes clear. While Yuri is a "simple" man who wants to get rich, secure financially his family and realizing in the process that he is really good in dealing firearms, so he can not simply give up his "job," Robert McNamara is no longer such a simple character. He was nothing but insignificant. Having the status of secretary of defense, in other words being somewhere in the top, belonging to the leadership of a nation, makes that person very important in the eyes of the people inhabiting the country and also to the entire world (especially when being part of one of the most important leaderships in the world). McNamara was part of the ministry of defense, which also meant that his duty was to keep the United States away from conflicts and wars; maintain peace. On the other hand his status gave him the power to go to war. And with or without influence he went to war (World War II, Vietnam), and he admitted during the documentary, that there were moments during his job as secretary of defense, when there were not enough reasons to lead the nation to war, and thus sacrificing innocent lives. So Cage's character is not the cause of any war, he is just supplying other nations' wars. Instead Mr. McNamara had, along history, his major contribution to the Vietnam War, and he was a major representative of the U.S., his decisions regarding military actions were crucial, as a matter of fact it was "his" war.
The images presented in both movies are astounding. As an example, in the documentary "Fog of War" when McNamara is talking about recruiting as he claimed, his pioneering studies on safety, director Morris showed the viewers human skulls wrapped in white linen being dropped several floors through a stairwell to smash upon the floor below. These scenes were shown in slow motion. These images symbolized McNamara's macabre capacity to treat carnage as a matter of statistical calculation. The second film was set in a dark tone, the opening scenes are amazing, and the audience actually witnessed the manufacturing of a bullet to its final destination - the head of a young African man. Then there is the shocking scene when Yuri is asked by a little African girl without an arm if her arm will ever grow back and of course the final scene, the camera rolls over thousands of empty shell casings covered with blood and mood until they disappear and the credits ensue.
The major economical and military forces in the world are U.S., UK, France, Russia and China. These countries are always searching to improve their defense industry, and of course the military sector will become stronger and this will provide power for those countries. And certainly the military industry offers a great deal of money. And those countries supply wars from other small, poor countries; guns reach the hands of so called peace makers, and...
Despondent for the loss of his daughter, Neruda returned to Chile in 1943 where he spent time becoming familiar with the folk history of Chile - with Machu Picchu in particular. He began to see connections between the ancient Incan and Mayan empires and modern day Chile that he expressed in a book-length poem of twelve parts called "The Heights of Machu Picchu" in what would become considered as one
Postmodernism Capitalism entered a new 'postmodern' phase in the 1970s and 1980s in which small-scale and entrepreneurial enterprises revived, and became the most dynamic sector of the economy in the West. This revival coincided with the reemergence of free market conservatism under Ronald Reagan and Margaret Thatcher at the same time, along with a culture that became more aggressively competitive, egotistic and individualistic. During the same period, economists and sociologists rediscovered
Politics of Violence in Pinter's Late Plays When Harold Pinter received the Nobel Prize for Literature in 2005, he spoke quite directly about the subject of political theatre: Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition
The poster was central to Lenin's vision of political transformation, and also the easiest way to convey his message to a largely illiterate population which did not care for paintings and monuments. By the year 1918, the new government began to print and distribute posters. "Alexander Apsit was the first great Bolshevik poster artist who developed many distinct Soviet symbols" (Foss; Lapides: The Bolshevik Era). In 1919, the Literary-Publishing
Politics, literature and the arts -- Transformation, Totalitarianism, and Modern Capitalist life in Franz Kafka's "Metamorphosis," Fritz Lang's "Metropolis," and Albert Camus' Caligula At first, the towering heights of the German director Fritz Lang's "Metropolis" may seem to have little to do with the cramped world of the Czech author Franz Kafka's "Metamorphosis." Fritz Lang portrayed a humanity whereby seemingly sleek human beings were dwarfed by towering and modernist structures, where
"Buonaparte" elucidates clearly how Nature and social interaction bring about human freedom and social progress. The analysis of "Tables Turned" and "Buonaparte" brings into focus the important points that make up Wordsworth's political views. His consistent criticism of the Enlightenment, rationalization, modernization, and the French Revolution demonstrates his belief that the path towards rationalization of society has brought greater adverse rather than beneficial effects. In the texts that follow, the
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now