¶ … public sphere and the culture industry: has the former been fundamentally corrupted through the latter? Are there new possibilities that the culture industry has to offer politics?
The public sphere of artistic discourse is one in which, according to Theodor Adorno, the culture industry sells its commodity goods that masquerade as truth and art. Where the media and world of art should speak to a kind of anti-structured and individualistic discourse, according to Adorno, allowing the words of the artist to rally against the common and stereotyped patterns that are tempting for citizens to fall into, instead the culture industry merely reaffirms and panders to these preexisting tropes, and makes viewers feel comfortable with what they consider to be the truth, although these truths are often of a nature that 'America is good,' or 'America is beautiful.' Adorno's student Habermas, although less skeptical of the Enlightenment than his founding teacher, would suggest that cultural warriors and thinkers as well as artists should rally to the truth rather than to empty cliches.
Both Adorno and Habermas would agree that the culture industry...
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