All of these institutional structures fell under the authority of the Party.
The television system in the Soviet Union was centrally controlled through the State Committee for Tele- vision and Radio (Gostelradio), which coordinated the communication of the ideological message sent down from above. The reorganization and elevation of this committee to the all-union level in 1970 made the Chairman of Gostelradio directly responsible to the General Secretary of the Communist Party and the Politburo. (Indeed, the Chairman of Gostelradio had on his desk a series of telephones, one connected directly to the General Secretary.) Directives were passed down to various departments which produced the television programs that aired on Soviet television.
The state owned all of the equipment, paid all salaries, and monitored all broadcasts. In addition to centralized control over the mass media structure, the Party closed off information from outside of the state. Because outside media messages were seen as antithetical to the purpose of socializing the Soviet population, foreign newspapers were not permitted and foreign radio broadcasts were jammed. The degree of control ebbed and flowed over the years, as leaders and policies changed. In addition, in time leaders were less able to control the spread of unauthorized information that came with foreign broadcasting, copy machines, faxes, VCRs, and computers.
Media Personnel
Communist Party control meant that journalists presented the Party line and were seen as Party workers. In journalism schools and on the job, journalists were taught that they were to serve the interests of the leadership. Leadership roles in the press and in broadcasting were filled by members of the nomenclature. Party nomenclature lists contained the names of those with acceptable Party credentials. In addition to following clear directives from above, journalists also employed self-censorship. Particularly after the centralization and terror of the Stalinist system, journalists were wary of offending persons in positions of authority.
Aware of the consequences associated with upsetting the political leadership, journalists would not take risks. After Stalin's death, a journalistic union was formed, and in 1959 the first All-Union Congress of Soviet Journalists was held in Moscow. Also during the 1950s, schools and faculties of journalism were established. But little of this challenged the basic principles of the Soviet press that included:
* Party-mindedness or Party loyalty (Partiil1ost)
* High ideological content (ldcil1ost)
* Patriotism
* Truthfulness (to Leninist theory) (Praudiuost)
* Popular character
* Accessibility to the masses (Massouost)
* Criticism and self-criticism
Of course, during different periods of time and under different leaders, more or less emphasis was placed on these important characteristics. Soviet leaders could and did replace media personnel who displeased them. Under Stalin, editors of news- papers had to satisfy the leader and spoke with him often for directions. When disappointed, Stalin would have newspaper staff members arrested. Khrushchev removed some editors and replaced them with those more to his liking, including his son-in-law Alexei Adzhubei, who became the editor of Izustia. Brezhnev, who viewed the media as a stabilization force rather than a force for change or dynamism, appointed a new ideology secretary, Mikhail Suslov, who was much more conservative than his predecessors under Khrushchev.
Editors appointed by Khrushchev were sacked and replaced, including Akzhubei who was removed as soon as Khrushchev was ousted from power in 1964. When Gorbachev came to power, he, too, shook up media personnel. Changes were made at Gostelradio, a number of newspapers and journals, the Union of Writers, and the Ministry of Culture among others. Between March 1985 and December 1991 there were five Chairs of Gostelradio: Segei Lapin, Aleksandr Akscnov, Mikhail Ncnashev, Leonid Kravchenko, and Yegor Yakovlev. D.
Media Effects
Because they believed media messages directed from above would transform the masses, early Soviet leaders did not see a need to ascertain the degree to which the masses understood or accepted these messages. Under Stalin, for example, research on public opinion was prohibited. This is not to say that there were no feed- back mechanisms set in place. Although hardly representative, letters to the newspapers and write-in polls were used. The lack of knowledge about the public's perceptions changed slowly with the development of social science inquiry and the analysis of public opinion. With more research on the degree to which media messages were effective came some limited changes in the structure and content of those messages.
By the 1960s and 1970s, Soviet specialists and scholars began to study public...
In "Piaf," Pam Gems provides a view into the life of the great French singer and arguably the greatest singer of her generation -- Edith Piaf. (Fildier and Primack, 1981), the slices that the playwright provides, more than adequately trace her life. Edith was born a waif on the streets of Paris (literally under a lamp-post). Abandoned by her parents -- a drunken street singer for a mother and a
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