Raymond Carver When one is seeking a bright, cheerily optimistic view of the world one does not automatically turn to the works of Raymond Carver. The short story writer - whom many critics cite as being the greatest master of that form since Ernest Hemingway - filled his pages with anger and discontent, despair and loss, desperation and the demons of addiction. The overall tone of his work is certainly dark.

The beginning of the end being her attempted suicide, due to the fact that she felt disconnected from him, her first husband, and the world, as he was in the military and they had constantly moved away from human connections she had made. (Carver NP) Her second marriage, to the insular narrator, going to bed at different times, and he sitting up watching late night television in his insular

"I can hear you...I'm alright," he says, but at the end of the story he resumes his drinking again (Carver, 1989, p.274). The significance of physicality in both stories is noteworthy, as it seems to reflect a distrust of language, rather than an embrace of language, as the characters communicate primarily though touching. Carver's prose has often been called minimalistic, a charge that he resisted. Yet Inez and Lloyd do

Shannon Raymond Carver's "Cathedral" This is a short story that is told majorly from the eyes of a character referred to here as 'Bub' who is a husband to a woman who had a blind friend, Robert who comes to visit and the visit turns out to be a self search time for Bub and great revelation period for him. The story employs strong use of symbolism as well as motifs to present

Cathedral - Raymond Carver About the author An American writer Raymond Carver has been writing stories on a smaller emotional scale for few years that creates same effects. Mostly his story settings contain American towns, semi-industrial, which are mostly depressed. However, his characters, working-class loners fighting for speech, from time to time find work as factory hands and waitresses, while his actions in the stories slip across the troubles of every day

Cathedral Raymond Carver's short story "The Cathedral" develops the theme of seeing the world clearly by using rich symbolism, irony, character development, and a postmodern tone and style. The blind man represents an unconventional mode of perception. Without a fundamental sensory input, the blind man relies on alternative methods of acquiring information and especially of interacting with others. His sightlessness at first bothers the narrator, but by the end of the