¶ … poetical parallel of William Wordsworth and it is fairly widely believed that Wordsworth exerted a profound influence on Frost particularly on his poems of nature. Both Frost and Wordsworth share similarities and dissimilarities in philosophy and style.
For Frost, for instance, his poetry "begins in delight and ends in wisdom," whereas Wordsworth's poetry "begins in delight and ends in delight." Wordsworth occasionally seems more flat. Frost, sometimes, seems more egotistical.
Frost also does not always involve himself as subject matter in his poetry and dissimilarity in style from that of Wordsworth is that he is more conversational although both poets avoided the grandiloquent tone assumed by poets such as Shakespeare. Frost's poem, A Boy's Will, for instance, is extraordinary in its down-to-earth treatment of the subject and informal cadence of the lyrics. Wordsworth's poems are simple too. The main difference here, however, is that Frost's poems, though seeming simple on the surface, have a depth of philosophical meaning to them....
Samuel Taylor Coleridge The cliched image of the Romantic poet is of a solitary tortured genius; it is ironic that the work of the poets collectively regarded as the 'Romantic School' is marked by collective and co-operative effort as much as by individual creativity. For none of the great figures of Romantic poetry is this so true as it is for Samuel Taylor Coleridge. The first-rate poetic output of this extraordinary,
"O Sylvan Wye! thou wanderer thro' the woods, / How often has my spirit turned to thee!" (http://www.uoregon.edu/~rbear/ballads.html) Now, the poet wishes to "transfer" the healing powers of nature that he himself has experienced to his sister. By stating."..Nature never did betray / the heart that loved her" (http://www.uoregon.edu/~rbear/ballads.html) Wordsworth assures his sister that she will also find peace in the middle of nature if she believes in the
Her list includes the following: culture / Nature reason / Nature male/female mind/body ( Nature) master/slave reason/matter (physicality) rationality/animality ( Nature) human / Nature (non-human) civilised/primitive ( Nature) production/reproduction ( Nature) self/other At first glance, this list seems to capture the basic groupings and gender associations that are at work in Mary Shelley's novel. The Creature exemplifies animality, primitiveness, and physicality, whereas Victor represents the forces of civilization, rational production, and culture. Victor is part of a happy family
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