¶ … poetic form involves some kind of structural formula dictating how it is to be written. Beyond this, myriad of differences exist among abstract or genre poems. The three poems, "My Last Duchess," by Robert Browning, "Richard Cory" by Edwin Arlington Robinson and "We Real Cool," by Gwendolyn Brooks truly exemplify such variety.
In "My Last Duchess," Browning offers readers a personal view of an aristocratic Duchess from the mid-1840s. While standing in front of his late wife's portrait, Alfonso II, Duke of Ferrara of Italy talks about her failings and imperfections to a member of his fiancee's family. The ironic twist comes when it is realized that the young wife's faults were simply "a heart too soon made glad, too easily impressed." In other words, she was too friendly to others -- especially men -- and thus the arrogant, jealous and controlling Duke had her killed.
The poem offers an example of the dramatic monologue, since from a formalist standpoint, it includes the three elements of an occasion, a speaker and a listener (sometimes oneself), all its words are meant to be heard and there is one voice. It is also a form of lyric poem where the speaker addresses a distinct but silent audience imagined to be present to reveal a dramatic situation and, purposely or not, some aspect of his/her temperament or personality.
"My Last Duchess," uses irony to convey its message. As noted previously, it turns out that the Duke is the one to be derided, not his wife. The poem contains verbal irony as shown when the Duke says to his guests, "even had you skill in speech . . . which I have not," since he continually proves through his words that he is a professional speaker. The irony is recognized from the very beginning as the Duke says, "There she stands/As if Alive," not realizing that he will be relating more about himself through his...
North American Literature of the 20th Century: A Literature of Alienation North American literature of the twentieth century began as a predominantly white male-dominated literature, on the heels of 19th century romantic literary expression, such as within the works of Nathaniel Hawthorne, Herman Melville, Mark Twain, William Dean Howells, Stephen Crane, and others. Similarly, in the early decades of the 20th century, American literature was dominated by the likes of William
Psychology and Literature Both psychology and literature explore how people interact with each other. Both psychology and literature explore how prior events affect what follows. Both psychology and literature look at how a person grows, develops and changes over time. However, psychology looks at how events affect what people do and how they act in very precise ways, while literature fictionalizes and supposes what an imaginary person might do. Psychology looks
classroom, regardless of the age of the learner, we realize that there are multiple learning styles and responses to divergent stimuli. The modern pedagogical environment is faced with a number of challenges that are directly related to learning. In fact, as an educational pendulum swings, we find any number of methods that are thought to be new and innovative; yet it is sometimes the tried and true methods that
OCTAVIO PAZ "TRANSPLANTED LANGUAGES" Octavio Paz's 1990 Nobel Lecture accentuated the issue of transplanted languages and the literature that emerged in a transplanted culture. Latin-American and Caribbean literature is good example of the use of transplanted languages since the influence of European and American cultures is quite pronounced. When people migrate from one place to another or are forced to endure foreign rule, the impact on the language is usually the
Courtly love your purchase. COURTLY LOVE AND MIDDLE AGES LITERATURE In this paper, we shall study the tradition of Courtly love in the Middle Ages as reflected by literary works produced in that period. The paper will first focus on what the exact nature of Courtly Love, then proceed to briefly discuss its development and finally take into account the literary works of Middle Ages that contained elements of this tradition. Courtly love
Abbe Prevost's tale of Manon Lescaut performs several different functions at once. It is in part a cautionary story. It is in part a push to create a fully modern sensibility in French literature. It is in part an exploration of the trope of Romanticism. And in all of these things it is partly a story about the New World, for to Prevost, as to other Europeans of his time,
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