¶ … poetic form involves some kind of structural formula dictating how it is to be written. Beyond this, myriad of differences exist among abstract or genre poems. The three poems, "My Last Duchess," by Robert Browning, "Richard Cory" by Edwin Arlington Robinson and "We Real Cool," by Gwendolyn Brooks truly exemplify such variety.
In "My Last Duchess," Browning offers readers a personal view of an aristocratic Duchess from the mid-1840s. While standing in front of his late wife's portrait, Alfonso II, Duke of Ferrara of Italy talks about her failings and imperfections to a member of his fiancee's family. The ironic twist comes when it is realized that the young wife's faults were simply "a heart too soon made glad, too easily impressed." In other words, she was too friendly to others -- especially men -- and thus the arrogant, jealous and controlling Duke had her killed.
The poem offers an example of the dramatic monologue, since from a formalist standpoint, it includes the three elements of an occasion, a speaker and a listener (sometimes oneself), all its words are meant to be heard and there is one voice. It is also a form of lyric poem where the speaker addresses a distinct but silent audience imagined to be present to reveal a dramatic situation and, purposely or not, some aspect of his/her temperament or personality.
"My Last Duchess," uses irony to convey its message. As noted previously, it turns out that the Duke is the one to be derided, not his wife. The poem contains verbal irony as shown when the Duke says to his guests, "even had you skill in speech . . . which I have not," since he continually proves through his words that he is a professional speaker. The irony is recognized from the very beginning as the Duke says, "There she stands/As if Alive," not realizing that he will be relating more about himself through his...
Ethical Practice Involves Working Positively Diversity Difference Counseling is a profession that involves associations based on principles and values ethically. Patients are able to benefit by understanding themselves better and through creating relationships with others. Through counseling, the clients are able to make positive alteration in life and enhance their living standards. Communities, organizations, couples and families are different groups of individuals are main sources of relationships (BACP Ethical Framework, 2013,
T.S. Eliot and Amy Lowell The poetic styles of T.S. Eliot and Amy Lowell are so dissimilar, that it comes as something of a shock to realize how much the two poets had in common. Each came from a prominent Boston family, and was related to a President of Harvard University -- Eliot was a distant relation to Harvard's President Eliot, and attended Harvard as an undergraduate: Amy Lowell's brother would
Shakespeare's Othello: Is it a tragedy according to Aristotle? Aristotle and tragedy Aristotle defines tragedy as imitation of an action that is serious and has a certain dramatic and complete magnitude. Tragedy to Aristotle is something that is: "A form of drama exciting the emotions of pity and fear. Its action should be single and complete, presenting a reversal of fortune, involving persons renowned and of superior attainments, and it should be written
Ross (1988) notes the development of Romanticism in the late eighteenth century and indicates that it was essentially a masculine phenomenon: Romantic poetizing is not just what women cannot do because they are not expected to; it is also what some men do in order to reconfirm their capacity to influence the world in ways socio-historically determined as masculine. The categories of gender, both in their lives and in their
The remainder of the poem assumes a more regularly rhythmic form, although the meter is not strict. Some of the remaining lines and stanzas follow an iambic hexameter, such as stanza three. However, many of the lines are in anapestic hexameter, or contain combinations of various meters. The poet inserts dactylic and anapestic feet along with iambic and also trochaic ones for intensity and variation, much as one would
(Leaves, 680) Similarly Whitman informs us: Stop this day and night with me and you shall possess the origin of all poems, You shall possess the good of the earth and sun…there are millions of suns left, You shall no longer take things at second or third hand…nor look through the eyes of the dead…nor feed on the specters in books, You shall not look through my eyes either, nor take things from me.
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