He even murdered his beloved friend Banquo. But although Luther initially lacked such a support structure, Luther eventually won supporters because people believed in his sincerity. They also realized that they too supported his objections to Catholic doctrine and the corruption of some of the officers of the church. Luther acted as a model, an example of Christian honor and fortitude that resonated with past examples of men who suffered for God in the Bible. Macbeth began his play more supported by friends and institutional authorities than Luther, but by the fourth and fifth acts of the tragedy, he was virtually alone, because the fact that he had acted only in his self-interest, not out of philosophical conviction or to advance the good of society. Soon, this self-interest became manifestly clear to everyone in Scotland. Despite the purity of his convictions, Luther's actions spawned many bloody disputes. Although Luther believed what he was doing was right, his actions also created a fundamental lack of unity between Christians in Europe. His creation of a rival Christian sect meant that there would no longer be a single, unifying force and belief structure for all Christians. Good intentions...
However, Macbeth's example suggests that selfish actions almost invariably have evil results. Lady Macbeth, for example, lost her mind because she was so haunted by what she had urged her husband to do. Macbeth did not die by his own hand in the play, but he ended the play with a sense of utter despair and solitude, as evidenced in the "Tomorrow and tomorrow" soliloquy.However, according to Johnson, Christie, and Yawkey, (1999), "play is an extremely difficult concept to define -- there are 116 distinct definitions listed in the Oxford English Dictionary!" Some adults think play is trivial while others believe play makes vital contributions to all aspects of child development. While we cannot define play, there are telltale signs of play that are recognizable. Some examples of play involved students freely choosing to
The freakish nature of the modern world seems to have infected even the way the young woman sees herself -- she calls herself 'dead' because the old woman refers to her as 'dead' even though she is clearly alive. She passively submits to the idea that she will be eaten, unflinchingly asking how she will be cooked, and what will be served with her 'feast.' In the context of the
It awakened her imagination and excited her about the theater, and it also instructed her, forming the basis for her future art. Another contributor, Beth Henley, has a very different memory: of being greatly disappointed at the ordinariness of a princess in a production, and her dissatisfaction with the actress' performance. Casting is everything. Henley learned at an early age. Many of the authors detail unconventional encounters with theater that
Warren's business partner and has in fact invested 40,000 pounds in the venture. In his own words, "The fact is, it's not what would be considered exactly a high-class business in my set -- the county set, you know.... Not that there is any mystery about it: don't think that. Of course you know by your mother's being in it that it's perfectly straight and honest. I've known her
Play Susan Glaspell's play Trifles is filled with moral questions and ethical ambiguity. Throughout the one-act play, each character makes moral and ethical choices that affect the outcome of the investigation. Their moral choices also reveal key things about their characters, their worldview, and their ethical codes. At the center of the play is Minnie Wright and her dead husband John. Death is often a moral matter. If John had committed
The last part of the show, Ms. Fisher, now at age 54, has her old and well-known Princess Leia "Cinnamon Bun Hairstyle" telling her audience how much she hated her character's hairdo since she felt it made her face look even rounder while taking two hours every day to style. Ms. Fisher shows a somnambulistic safety of using words like play-dough manipulating them cleverly and utmost witty. On the subject
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