¶ … Plato's Republic entails the "spectacle of truth" (475 d-e), and the role of the image of the festival in Plato's work. Firstly, the spectacle of truth entails that the concept of truth itself is a kind of festival, and the ultimate goal for which a philosopher should strive. The "spectacle" is then what the philosopher presents to the world as the product of thought and logic.
The Role of the Philosopher
Plato asserts that the philosopher, as guardian of the truth and of the state should act as a "king." This, according to Plato, means that the philosopher takes part both in thought and in life itself. This philosopher is " ... The true lover of wisdom, who enters into the special duties of life, yet keeps such a grasp upon life as a whole that he gives everything its right place." (Boyd, 111-112).
"Real" philosophers then are to achieve a balance between theory and practice. According to Plato, however, the true philosophers are few in number, and often reputation rather than the love of wisdom leads to philosophers posing rather than being lovers of truth (Boyd, 112). In this way then truth as spectacle can be applied to philosophers who love truth only for its potential to bring about spectacle and reputation. In this way, although these people begin with the perfectly sincere wish to be true to their inner wisdom and philosophy, the promise of spectacle too often overrides to wish to adhere to wisdom.
While this fundamental corruption of philosophers was frequently blamed on the Sophists during Plato's time, Plato himself disagrees. Instead, Plato blames the seductive influence of public opinion. In this way, public opinion seduces the young philosopher into either agreeing with those around him, or succumbing to a petty sense of persecution (Boyd, 113). Both of these extremes signify an unthinking submission to the lure of spectacle without an underlying element of truth to base it upon.
The elements of science and opinion are furthermore distinguished in order to prove this point. Again, the love of true wisdom is contrasted with the love of spectacular elements that are often the result of such wisdom. Sight-seeing and art are among the frivolous spectacles that are enjoyed by the person not sufficiently mature to appreciate the draw of true wisdom.
According to Plato, it is only those who escape the snares of wishing to be seen rather than thinking for themselves, that might be called true philosophers, or philosophers as kings. By this is meant persons who, for the soundness of their thinking processes, are ideal for electing as rulers of the ideal state (Boyd, 113).
The true philosopher is thus not a lover of spectacle alone, or even a lover of philosophy for the sake of being seen. Furthermore, ordinary people are said by Plato to be adherents to what can be perceived by the senses alone. As such, spectacle overrules the wish to learn more about what is experienced through the senses. More even than false philosophers, these persons are ruled by the spectacular, or opinion, rather than science, or the reason behind the spectacle.
Indeed, the true ruler, or the true philosopher as ruler, is one who loves wisdom for its own sake. In this, Plato mentions a variety of directions that act as the object of adoration for persons. Things such as the love of honor or youth then entails the love of the whole issue rather than just part of it. Loving these things also cause adherents to search for them wherever they can be found, instead of just in legitimate locations. Plato, using Socrates as speaker, advocates the same devotion for wisdom.
The job of the philosopher is then to create a spectacle that is not only balanced with, but also created by truth, or wisdom. Plato uses beauty to illustrate this point (Plato, 474-480). Science is knowledge of all things, including beauty. Opinions are held by those who adhere to spectacle, while science unlocks the spectacle in terms of knowledge. This is the work of the true philosopher, and also in Plato's opinion, why the true philosopher is the ideal guardian, or ruler, of the ideal State.
The philosopher, as adherents to truth and science, are those who reflect upon arbitrary terms such as "beautiful" and "just." This then gives a standard of these terms, rather than arbitrary opinions without deeper reflection or study. The arbitrary idea of beauty is thus qualified by scientific study (Plato, 476). The idea of "festival" then can be said to be the perfect balance that is achieved when spectacle and philosophy meet...
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