Larry Adelman’s documentary Place Matters addresses the social determinants of health, focusing on the intersection between socioeconomic class, race, and geography. Place matters in terms of exposure to environmental toxins and other public health hazards like poor infrastructure. This particular episode focuses on asthma and how it is linked to exposure to environmental toxins. Moreover, place determines the access to health resources and also to the ability to form social support networks in a community. The video shows how individual variables like race or economic class need to be contextualized; that multiple variables intersect to inform health outcomes and epidemiological patterns. A person can be disadvantaged from birth, simply by the circumstances of where one was born. Geography and space are therefore linked to power and privilege in the society, unless there is effective public policy to address disparities. I appreciated watching Place Matters, because the film carefully elucidates the social determinants of health in America. Although the content is disturbing, viewers will feel inspired to take action and be aware of how public policy related to housing, real estate development, and urban planning all impact health outcomes. I also appreciated how the filmmaker allowed the residents to speak...
The connection between urban planning and health is not always immediately apparent, and this video helps to inform the public in the hopes of effecting social and political change. While the video did not necessarily surprise me or change my attitudes, I do now understand more about the urgency of reformed urban planning and social housing policies.Works Cited
Adelman, Larry. Place Matters. Documentary, 2008.
The way that it uses John Alpert, a therapist who consulted a great deal of important Wall Street figures, with the purpose of showing how these people were basically no different from ordinary criminals (seeing prostitutes and using cocaine) when considering the way they spent money further contributes to increasing the terror of the thought that they were in charge of the world's finances. More precisely, it provided very
From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time
In this area, meanings with their endless referrals evolve. These include meanings form discourses, as well as cultural systems of knowledge which structure beliefs, feelings, and values, i.e., ideologies. Language, in turn, produces these temporal "products." During the next section of this thesis, the researcher relates a number of products (terminology) the film/TV industry produced, in answer to the question: What components contribute to the linguistic aspect of a sublanguage
Film The modern film is a genre of its own that expresses a huge variety of cultural experiences through a fluid continuum. Film expresses the entire gamut of human emotions and needs; from the tragic to the comic; from entertainment to education; from adult to the young child. Films have become cultural artifacts created by specific cultural needs -- from a sociological perspective as a form of cultural expression for
Popular Film Cultures Have Propelled Civil and Social Rights Culture is referred as shared interaction, patterns, cognitive constructs, behaviors as well as effective understanding learned through socialization and transferred from one generation to the other. In the United States and outside the United States, films have become a powerful tool to transmit cultures. In 2009, there were more than 6.8 billion films released compared to the world population that was roughly
Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity
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