From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time

Super Size Me is a documentary film from 2004 by Morgan Spurlock. It focuses on what it would be like to consume nothing but McDonald’s fast food for an entire month. That is the outlandish premise of the film—and it is more than likely to appeal to two types of people: 1) the health-nutritionist type of person who will approach the film with type of confirmation bias, expecting his or

Michael Moore's Bowling For Columbine Michael Moore's motion picture Bowling for Columbine provides insight into the Columbine High School Massacre Event in 1999 and into a series of incidents such as the U.S.' tendency to promote weapons and conflict. This film attempts to provide information with regard to the background of gun use in the U.S. And the consequences associated with this respective enterprise. The film is meant to generate controversy

" It is something that the film, in showing Marie's response to gossip in the news about her, refutes. She also refutes having said, "Let them eat cake," saying, "I wouldn't have said that." However, that is the most likely response a young woman who did not realize the citizens being out of bread meant they were starving, and who, herself would have replaced a shortage of bread with a

A Documentary Filmmaking Experience Aim and Accomplishment Renov (1993) states that there are four fundamental purposes of a documentary: “1) to record, reveal, or preserve; 2) to persuade or promote; 3) to analyze or interrogate; and 4) to express” (p. 21). In my documentary, Palestine, her story, my aim was to observe—i.e., to record, reveal and preserve—the stories of the Palestinian women who served as the subject of my film. The film

Scorsese equates him with "a magician enchanted by his own magic." This freedom allowed Welles to create from narrative techniques and filmic devices a masterpiece that is self-aware of its own form. It intends to communicate this self-consciousness to the audience, thus contradicting the classical canons of filmmaking whereby the camera ought not to be noticed and the shots should be seamless. In other words, Welles expanded the art