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Pianist Directed By Roman Polanski. Specifically, It Term Paper

¶ … Pianist directed by Roman Polanski. Specifically, it will imagine every part of "The Pianist" that was violent or contained swear words was simply removed from the film. Censorship in film has always been a contentious issue, and with the advent of Clean Flix, the situation has come to a head. While it is certainly a person's right to view entertainment that they do not feel is offensive, for a company to "clean" offensive content is simply alteration of the work, plain and simple. This alteration changes the meaning of the work, and alters the integrity and very foundation of many films. Clean Flix may provide a valuable service, but it is at the cost of the film and what it stands for. Artistic integrity versus "offensive" content. It is a difficult question for both sides to discuss, and whatever changes are made to a film; they constitute some kind of alteration and compromise. In the case of the film "The Pianist," the censoring of "offensive" content alters the meaning of the film, and alters its impact. "The Pianist" has a very important message about the brutality and hatred of the Nazis for the Jews. This is expressed in the extreme juxtaposition between the magnificence of the music and the viciousness of the Nazis. Removing all of the swear words in the film would also remove this juxtaposition, and make the Nazis seem less brutal and unforgiving than they really were. For example, in one scene near the end of the film, main character Szpilman is nearly killed when he is discovered wearing a German officer's coat. He cries, "No. Please. I'm Polish. I'm not a German," and the soldier replies, "Then why the *****ing coat?, to which Szpilman comments,...

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This sums up the general feeling about the Nazis succinctly and brutally. The Nazis were horrible bullies, and the world recognized it. The language in this film may be brutal, but it is not nearly as brutal as the Nazis, and it is necessary for the impact of the film. To change the language is to whitewash the Holocaust and what happened to the Jews, and that is not acceptable, nor is it history. Removing the language would change the overall effect of the film, and would lessen its impact on the audience. It would also make the movie a farce, for if it could not accurately portray the brutality and viciousness of the Nazis without watering it down, it would make the viewer wonder what else was altered in the film. It would create doubt in the mind of the viewer, and it would bring questions of other portrayals and history into suspect. Altering the language and violence of this film would make the film weak, and would remove the impetus for viewing the film. It would not be true to the memory of the pianist it chronicled, or to all the Jews who died during the Holocaust.
Of course, the vicious language is not the only thing that makes this film memorable, or makes the Nazis brutal. For example, Polanski continually illustrates the violence of the Nazis with graphic scenes, such as the one where they break into a Jewish home and order everyone to…

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The Pianist. Dir. Roman Polanski. Perf. Adrien Brody, Emilia Fox, and Thomas Kretschmann. Universal Studios, 2002.
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The interaction between the two is also symbolic of the innocence of the prewar state. Before the war, interactions and romantic interludes between Jew and Caucasian were no problem. During the war, however, Jews were marginalized to the point where they were no longer recognized as human beings. This is symbolized by the harsh treatment of an old Jewish man by a Nazi soldier, also during the beginning scenes.

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