The rag pickers are standing in a sea of fabric, most likely discarded by manufacturer's shipping from an impoverished to an industrialized country. The very people who make the fabrics from the natural resources of their native lands, cannot afford to own them outright. As such, it is necessary for the men to clothes themselves and most likely their families with the remnants that are left over.
The last photograph that I chose as a part of my review of the work of Henri Cartier-Bresson was unnamed, and therefore I refer to it as "Children at Play." There were a plethora of photographs to select from as the photographer worked extensively for more than 7 decades. However, this photograph stood out to me because of what it represented for the times in which it was taken as well as the visual and personal impact it had on me upon seeing it. The photograph, for me, represents the innocence of children at play without thought of their surroundings and the circumstances of the times. The children are both smiling and happy in their own right. They are playing with each other despite the fact that they represent different races, ethnicities, possibly socioeconomic classes, and futures. Whatever time frame this picture was captured in is not quite discernable; however, the representation supersedes the era in which the activity took place. Once again, Cartier-Bresson was able to capture the very essence of the moment without impeding the activities that were taking place at the time. He was there, but from the photograph the subjects do not appear to have been positively or negatively impacted by his presence.
What is most interesting about a number of the photographs taken by Cartier-Bresson is that they exist without significant commentary from the artist. In doing so, he leaves the interpretation of the work to the observer. What I as an observer of the photographs highlighted here may not have been the thought processes of the photographer when he took the pictures. Nevertheless, the impact of the images and the environments in which the photographs were taken avail the observer the opportunity to decide for him or herself what the photographs represent for each individual. That is genius.
Conclusion
Henri Cartier-Bresson was a world renowned photographer who left an indelible impression of the artistic world. His influence is not relegated to photography but has served to...
Photography and Images Our Memory, Our Identity, Our Reality: The Affects of Photography "In teaching us a new visual code, photography alters and enlarges our notions of what is worth looking at and what we have a right to observe. They are a grammar and, even more importantly, an ethics of seeing." ~Susan Sontag, On Photography "Hence it is essential that any theoretical discussion of the relationship of black life to the visual, to
Photography in Iran Early Photography in Iran Paintings and photography started in Persia just like any other country i.e. slowly but there was a huge difference in the timeline. When paintings and art were highly appreciated and exhibitions were held in Europe, the Persian painting and photography had just started its journey. There are only few portraits and photos available from Iranian history because the world did not know of great painters
Above all that lays the fact that photography possesses the unique power of leaving an impression in the minds of every viewer. Moreover, it may seem that every viewer gets the same meaning out of the picture, but that is not really the case. The most beautiful thing about photography is that every viewer perceives the image differently and recreates it in his or her mind, thinking of it to
Dye transfer was developed during the 1920s and 1930s by printing the negatives with a variation of the carbon process (dye transfer), which is now called "assembly printing;" however, this was both tedious and time-consuming -- even though the pictures were beautiful. It wasn't until 1935 that Eastman Kodak came to market with a film that was made up of three-color emulsion coated on a single piece of plastic
In a short time, China has firmly grown into a superpower. Therefore, the title of the exhibit in relation to the content is possibly ironic. On the one hand, China is growing in power and influence globally, but on the other hand, the people of the country are still suffering and living harsh or brutal realities, as illustrated in many of the photographs that compose the exhibit "Rising Dragon." There are
Ansel Adams - Overview Born on the 20th of Feb 1902, Ansel Easton Adams was an American environmentalist and a great photographer. He is particularly known to the world as black and white landscape photography, who captured the American West in such a beautiful way that the legacy he left behind is unmatchable. Adams' photographs of the Yosemite National Park are still reproduced on posters, calendars, as well as in books. In
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now