Art Philosophy Tragedy in Art The newspapers are forever mentioning the word, 'tragedy'. It usually means that there has been a death or deaths associated with a catastrophic event. Surprisingly, this is in keeping with the use of tragedy as described by Aristotle: that it should evoke the emotions of pity and fear in the presence of an action of a certain magnitude. Pablo Picasso's 1937 mural, Guernica: Testimony of War, is

wisdom of Socrates today: The Consolations of Philosophy by Alain de Botton The first chapter of Alain de Botton's The Consolations of Philosophy is set in an art museum. The author gazes upon an image of David's The Death of Socrates. De Botton contrasts his desire to be liked with the Greek philosopher's willingness to be unpopular, to the point of accepting a death sentence. "If the postcard [I bought

This work provided an intensive discussion historical forces that were to lead to modern humanism but also succeeds in placing these aspects into the context of the larger social, historical and political milieu. . Online sources and databases proved to be a valid and often insightful recourse area for this topic. Of particular note is a concise and well-written article by Stephen Weldon entitled Secular Humanism in the United States.

The boy had conflicting religious training. Officially, he was Catholic, but his grandfather's Protestantism influenced him greatly. He learned little of the major philosophers of the day because they were not given attention at the French university of the time, but he would encounter them later when he was in his twenties. He passed his written examination for the agregation on his second try and fulfilled his military service

. . while defending these institutions themselves" (1034-1035). Peled further argues that Rousseau was not able to solve this paradox and it was one of the reasons why he became increasingly pessimistic about modernity. But Rousseau's attempts to reconcile the contradiction in his approach are worth looking at in details. Although Rousseau abhorred inequality that rose out of private property, he did not hold any illusions about modernity. He believed

As a character, Celie's own experiences have not engaged her on the same levels that Shug's sexual experiences have. This is to say that Celie's life and collection of experiences have not been personally gratifying or freeing in the way that Shug suggest sexual experiences should or can be. To Shug, sex is more about the personal gratification and the freedom of bodily and emotional expression that comes with