Philosophy
Analyzing Rembrandt
The following paper is a response to questions regarding the painting, "Aristotle with a Bust of Homer." The painting was painted by Rembrandt van Rijn in 1653. It is oil on canvas and access to the painting is gained by the website of the Metropolitan Museum of Art, physically located in New York City.
The paper will first contextualize the painting, trying to situated in history and establish a historical perspective by which further interpretation of the painting. Rembrandt completed this painting at the approximate midpoint of the 17th century. As in many centuries in history, the 17th century was a century full of achievement, development, and conflict. Rembrandt is a European artist, so the paper will summarize some of the developments in Europe during this period. Culturally, Europe entered the Early Modern period as well as the Baroque period. There was a huge surge in culture with respect to music. Furthermore, more so toward the conclusion of this century, there was a scientific and mathematical revolution in Europe. Prominent figures apart of this scientific surge included Sir Isaac Newton and Galileo Galilei, among others. Concepts that are taught as basic science and intermediate mathematics in the 21st century were innovations during the 17th century. Quite obviously this was a period where there was great colonization and imperialism around the world, particularly in the newly "discovered" Americas. Slavery, trade, and expansion were booming endeavors for prominent European countries during the 17th century. Philosophically, Europe entered the famous Enlightenment period. Philosophy is certainly a prominent concept in the painting; therefore Rembrandt's painting, at the time, must have been praised or noted for how very contemporary the content was....
All of the styles inspired by the Romantic current can be clearly traced from the Formalist point-of-view, as they had in common the use of image itself, leaving meaning and content to a secondary design. In the poetry and literature world, the Romantic period was a chance to explore the inner feelings of the artist, the development of his own soul and thoughts, where the author is the hero of the
There is a kaleidoscopic plurality of symbols and links among them, but it is easier to decipher the central meaning of the whole: the spiritual supremacy of the pope. Thus a political program was transformed into a beautiful masterpiece." (Findlen) Bernini believed that in architecture the main focus was on the material and the invention, then on the manner in which the parts were ordered and finally on the "perfection
" In other words, that art springs from within, rather than must be supported from without. The author places the blame for female artists to be culturally central squarely upon culture itself, specifically Western culture's failure to create systems of educational nurturing for females. "The fault lies not in our stars, our hormones, our menstrual cycles, or our empty internal spaces, but in our institutions and our education -- education understood
. from passion to insanity" ('the Eighteenth Century," Internet). These "sublime" qualities are best expressed in Horace Walpole's magnificent Strawberry Hill residence in Twickenham, built between 1749 and 1777. As compared to Blenheim Palace, this structure is pure "Gothick" with its turrets, towers, battlements, galleries and corridors. In fact, Horace Walpole is credited with creating the Gothic style in English literature with his novel the Castle of Otranto, published in 1764. Of
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