He was an expert in representing and depicting the world of nature and ordinary reality. This can be seen for instance in the background of the painting entitled Crucifixion; in which the artist depicts the earth and sky in intense and minute detail. This work also provides evidence of his ability in manipulating the oil medium "... To re-create the effects of light on different surfaces, from dull reflections on opaque surfaces to luminous, shifting highlights on metal or glass" (Jan van Eyck: ca. 1380/90-1441)
Portrait of a Carthusian
Source: http://www.metmuseum.org/toah/hd/optg/ho_49.7.19.htm
Van Eyck is also known for his portraiture. A particular impressive painting is Madonna and Child with Canon Joris van der Paele (1436), where the "... almost clinical detail in the face of the kneeling patron vividly illustrates van Eyck's acute objectivity as a portraitist" (Jan van Eyck (ca. 1380/90-1441). Commentators also note the way that the artist was able to manipulate light and shadow as well as subtle tonal shades to invest his scenes and portraits with an inner and vibrant energy that radiates from paintings. This can be seen in the Portrait of a Carthusian (1446). This portrait is also a good example of the subtle modeling of the face and features that van Eyck became well-known for. This painting is also an example of attention to detail that van Eyck brought to the art of painting....
In this piece van der Weyden depicts the words of blessing from low to high and rightward toward Christ, and the words of damnation are high and move downward toward those that have been damned. The rise and fall of the verbal decisions of the traditional locations of those that have been blessed and those that have been cursed. The artist even went so far as to use color
Within the painting, the narrow space in which the woman is seated, with child and tome in lap, is otherwise toned by a severe symmetry. Furniture, window and angles are cut with a perfect sharpness, exposing only rightly angled arrangement. This is even so with the corners of a throw rug and some square floor tiles which peek out from the Madonna's flowing red gown. The colors in this gown, as with the green and
Mock Interview Hello, Mr. Bosch. Thank you for meeting with me today. Please tell me how and why you decided to become a painter. Becoming a painter was a natural choice for someone whose father was also a painter. The real question for me was, what kind of painter do I become? What is the best way to improve my skills and earn a living from my work? In 's-Hertogenbosch, it was
Van Eyck's The Arnolfini Double Portrait The Arnolfini double portrait is amongst the best paintings from the Renaissance in Netherland. The portrait which is also referred to as the Arnolfini Wedding/ Marriage is a picture depicting a wealthy pair holding hands in their Flemish home's bedroom. It was drawn by Jan Van Eyck, in 1434 who was a pioneer of oil painting in the Flemish lands together with the likes
Even the Virgin and Christ are depicted in a realistic fashion Rogier van der Weyder, another great Northern master of the portrait, likewise used symbolism in an instructive fashion for the reader, as manifest in works such as his Madonna in Red. In the painting, the infant Christ clearly pages backward to the beginning of a Bible, indicating how his coming is the fulfillment of the prophesy of the coming
Art History Of the Western World Leonardo Da Vinci's Mona Lisa, also known as La Giconda, is one of the most well-known paintings of the High Renaissance period. Painted between 1503-1506, it was done with oil paints on wood. Part of the reason it has so haunted people is because of Da Vinci's unique ability to capture expressions and facial subtleties that are lost in works by other artists. Da Vinci
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