In fact, even when Othello enters their bedchamber and talks about killing her, entreating her to pray so that she does not die with a sin on her soul, Desdemona makes no effort to run from Othello, but questions him about why he is upset. (Othello, IV. iii, 45-51).
Cassio's flaw is not as obvious in the beginning part of the play, but plays a major role in the downfall of Othello. Cassio's flaw is that he is too concerned about other people's opinions. Thus, when he begins describing Desdemona to Montano, he does so in glowing terms, despite the fact that he has no romantic interest in Desdemona and appears to have little real knowledge of her. (Othello, II. i, 79-89). Though he knows that he is vulnerable when he drinks alcohol, Cassio allows Iago to goad him into drinking, because he is concerned about Iago's opinion of him. (Othello, II. iii).
Of course, Iago uses this one incident to demonstrate to Montano that Cassio is a drunk, which precedes the fight between Montano and Cassio, and is what puts Cassio in Othello's disfavor.
Emilia has tremendous loyalty for Iago, which he exploits in order to further his plot against Othello. She explains this somewhat when she and Desdemona are discussing women who make cuckolds of their husbands. Desdemona asserts that she could not cheat on Othello for the entire world, but Emilia disagrees. She asks, "why, who would / not make her husband a cuckold to make him a monarch? I should venture purgatory for't." (Othello, IV.iii, 81-83). In fact, during the play, she does things that she knows are wrong, simply because...
Othello: The Moor of Venice is a tragedy that was written by William Shakespeare in the early years of the seventeenth century. Essentially, the play is about a Moor, named Othello, who elopes with the fair and beautiful and white Desdemona, and he leaves Venice for Cyprus, where he is to be in command of the Venetian Army. His wife, and his lieutenant Cassio accompany Othello on this journey. The
OTHELLO Shakespeare uses the soliloquy in Act 2 Scene 3 lines 335-362 to demonstrate to the audience Igao's nature and to provide insight into his character. In this scene, Igao reveals a devious plot that involves three other characters in the play with the intention on destroying two of them, Othello and Cassio. The third, Desdemona, is secondary and her function to him is only as a vessel to carry his
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She states, "I nothing but to please his fantasy," and she does not speculate that her "wayward husband" might have any malicious intent with one of Desdemonda's most precious items. Emila's unfailing trust in her husband is frustrating in light of Iago's deceit, and makes her seem even more remarkable of a character. Even when Desdemonda asks "Where should I lose that handkerchief, Emilia?" Emilia does not mention how
Jealousy in Othello Othello, by William Shakespeare, is a play demonstrating that we all have strengths and weaknesses and that while the best of us will focus on people's strengths, the worst of us will not only not weaknesses but use them in destructive ways. Throughout the play, the weakness of jealousy, directly or indirectly, brings the destruction and downfall of all the major characters, including not only Othello and his
room in the castle. Enter OTHELLO, LODOVICO, DESDEMONA, EMILIA and Attendants LODOVICO I do beseech you, sir, trouble yourself no further. OTHELLO O, pardon me: 'twill do me good to walk. LODOVICO Madam, good night; I humbly thank your ladyship. DESDEMONA Your honour is most welcome. OTHELLO Will you walk, sir? O, -- Desdemona, DESDEMONA My lord? OTHELLO Get you to bed on the instant; I will be returned forthwith: dismiss your attendant there: look it be done. DESDEMONA I will, my lord. Exeunt OTHELLO, LODOVICO, and Attendants EMILIA How
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