¶ … Orthodoxy G.K. Chesterton
The most prudent way to analyze a work of literature that is as diverse and as complicated (as well as unconventional) as G.K. Chesterton's Orthodoxy is to do so from a two-fold perspective in which one considers both the form of this narrative and its effect upon the content. Part of the inherent difficulty in undertaking this body of work lies in the incongruities that exist between both of these elements of Orthodoxy. On the one hand, this is a work of non-fiction that is based on the pious and austere subject of religion, and on Christianity in particular. Yet at the same time, the author writes fairly freely in a transformative tone that vacillates between both poetry and prose, and makes a number of salient points while utilizing the former of these. Despite this contradiction between his topic and the way he chooses to address it, Chesterton has written this book primarily in an effort to reaffirm the values of traditional orthodox Christianity -- all the while delineating the place and value of man within the cosmos and his own private journey from doubting skeptic to faithful adherent.
The poetry of Chesterton's prose is what makes this book a fairly formidable one to get through with a substantial level of understanding. What is perhaps most interesting about this fact is the reason for the author's approach to writing his manuscript in this way -- which is largely fueled upon his zeal for God and the religion he believes best represents his will, Christianity. When one considers that the author was rather young (he was 34 when he completed this work) at the time of the book's composition, the verve he displays in many of the passages that become manifest in a litany of poetic devices become highly understandable. Unfortunately, they do not make his points any more lucid, as the following quotation suitably demonstrates.
…the frantic energy of divine things...
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