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Orson Welles Research Paper

¶ … Orson Welles to Visual Arts One of the most influential motion picture directors and producers of the 20th century was Orson Welles, whose well-known radio rendition of "War of the Worlds" in 1938 panicked an entire country long before September 11, 2001. Shortly after "War of the Worlds," Welles would go on to direct "Citizen Kane" in 1941, regarded by some film critics as the greatest motion picture ever made. Although "Citizen Kane" would remain his crowning achievement, Welles went on to make several more movies, including some of the biggest money-makers of their time. To determine how Welles' career started and what his contributions to the visual arts have been, this paper provides a review of the relevant literature, followed by a summary of the research, important findings, and an assessment concerning what was learned regarding this topic and rationale in support of that conclusion.

Review and Analysis

The contributions to the visual arts made by Orson Welles span a prolific five-decade long career. In recognition for these contributions, in 1975, Welles received the prestigious Life Achievement Award presented each year by the American Film Institute (AFI). In this case, the award was presented to Welles for "one whose talent has in a fundamental way advanced the film art; whose accomplishments have been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time," by George Stevens, Jr., AFI director (Stevens 398). Another biographer reports that Welles was born in 1915 and began his acting career during the early 1930s (Welles 51641). By 1937, Welles had started his directing career (Benamou 187), followed by his radio production of "The War of the Worlds" in 1938 that caused...

In 1938, Welles went to work for RKO Pictures in Hollywood (Welles 51641) where he would go on to make such blockbuster hits as Academy Award-winning "Citizen Kane" (1941), his first -- and most widely acclaimed -- motion picture (Belsey 136). For instance, according to Graham, "Citizen Kane is regularly and repeatedly listed as one of the greatest films ever made and universally regarded as the work of Orson Welles" (114).
The characterization of Citizen Kane as being "the work of Orson Welles" is not made by accident or carelessness, rather, it is intended to reflect the enormity (if the pun can be excused) of his contributions to the production of the film. In this regard, Graham notes that, "It is not a necessary truth about film that it has no single mind at work to control it. One can imagine some one person superhumanly performing all these roles, and it is true that in some of the best films one person has a multiple role" (114). In this case, the multiple roles that were primarily responsible for the film's success were played by none other than Welles himself: "It is perhaps no accident that Orson Welles not only directed Citizen Kane," Graham notes, and adds, "but also took the lead role" (114). This is not to say, of course, that Welles was solely responsible for the production of "Citizen Kane," but it is to say that it was his creative genius that provided the impetus for everything to click just right in ways that would have likely eluded lesser directors (and actors). Moreover, Benamou emphasizes that although Welles did not always get along with studio higher-ups, he was an enthusiastic collaborator with trusted associates, an attribute that allowed…

Sources used in this document:
Works Cited

Belsey, Catherine. Culture and the Real. New York: Routledge, 2005.

Benamou, Catherine L. (2009). "Everybody's Orson Welles: Treasures from the Special

Collections Library at the University of Michigan." Michigan Quarterly Review 48(2):

187-188.
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