¶ … Waterfront
Timeless
Elia Kazan's 1954 "On the Waterfront" is a mixture of crime-romance with hero-drama. Marlon Brando is cast as the protagonist, with Rod Steiger as his brother, Lee J. Cobb as the union mob boss, Karl Malden as the local priest, and Eva Marie Saint as Brando's love interest. In essence, Kazan directed a simple story of good against evil, moral values against corruption, and what it means to sacrifice oneself for the good of others. However, Kazan's direction turned this simple message into an incredibly powerful film that will never age.
Kazan assembles a brilliant cast of characters. Brando plays Terry Malloy, an ex-prize fighter and longshoreman who has taken falls in the past, especially during his boxing career, to satisfy his older brother Charlie, played by Steiger, who works for union mob boss Johnny Friendly, portrayed by Cobb. Terry is a simple guy who does what he is told without asking too many questions. When Terry unintentionally sets up Joey Doyle to be killed by Friendly's goons, he begins to question himself, especially when he meets Joey's sister, Edie, play by Eva Marie Saint. She's a good...
Robert Frost and "Waterfront" by Roo Borson truly do explore similar subject matter, yet in entirely distinct manners. The different approach that each author takes is apparent in their differing uses of tone, structure, imagery, language and point-of-view. Robert Frost's poem "Neither Out Far Nor in Deep" has a distinctive rhythm which is contained and deliberate. The rhythm of the poem seeks to emulate the rhythmic slapping sounds of the
Waterfront STORY DIAGRAM FOR "ON THE WATERFRONT" Framing crime drama: the police know that dockworker's union boss Johnny Friendly is involved with organized crime but cannot get any useful witness to snitch on him Terry Malloy = Protagonist Backstory: Terry was a promising boxer who "took a fall" (deliberately lost his match) on the instructions of his older brother Charley, who works for the dockworker's union. (Given the involvement of organized crime in
OSHA and on the Waterfront Signed into law on December 29th, 1970 by President Richard M. Nixon, the Occupational Safety and Health Act recognized the government's role in protecting the American worker from hazards and threats in the workplace. Throughout most of the industrial age, the safety of the worker has been of little concern to those who own and operate businesses. And while the concerns for the safety were forced
Murphy v. Waterfront Commission, 378 U.S. 52 (1964) Title and Citation: Murphy v. Waterfront Commission, 378 U.S. 52 (1964) Type of Action: Review by the U.S. Supreme Court of a ruling made by the New Jersey State Supreme Court, which held that petitioners subpoenaed to testify at a hearing on the state level -- petitioners who had been immunized against prosecution on the state level -- were indeed in contempt of
Film Noir The 1945 film "Mildred Pierce" is the epitome of film noir, complete with the femme fatale, theme of betrayal and hopelessness and use of flashbacks. While the 1954 "On the Waterfront" also uses the theme of betrayal and hopelessness, it breaks from the film noir genre, and rather than using flashbacks, it is told in present time and the use of the femme fatale is replaced by an unscrupulous
Another highly pertinent grievance would be raised by the Executive Director, of the Greenwich Village Society for Historic Preservation, who complained that the park committees did a poor job of reaching out to community, environmental and preservation groups as the issue came onto the table. As the interviewee noted, he and his colleagues had no sense that this controversial plan was in the works. Moreover, even with knowledge of the
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