Near the middle of the sea in what is now Kansas sediments were deposited at a fast rate creating about an inch of compacted chalk each 700 years. Some of the worlds finest fossils have been discovered here. The crinoid Uintacrinus and fish Ichthyodectes are two examples. (Fossilmuseum.net NP) When other regions have such finds they are news, while the shelf and chalk deposit areas of the Western Interior Seaway

scholar and poet Xu Zhimo developed a style that challenged the traditional poetic styles of china but more importantly challenged the ideas of freedom, morality and love. Xu demonstrated a modernity that included the self as the object of poetic works and he wrote largely without regard for the linguistic constraints of classic Chinese poetry in what would later become known as a free form style. A careful analysis

" V. WHY the SEA of GALILEE? University of Nebraska of Omaha, Professor Rami Arav in the work entitled: "Bethsaida and the Ministry of Jesus around the Sea of Galilee" relates that the New Testament provides the information that "Jesus left Nazareth and move to a region of the Northern Sea of Galilee." After John the Baptist was executed "for denouncing Herod Antipas for marrying his brother's ex-wife. Jesus, being baptized by

Imagery and metaphor were extremely important in Baroque works, and sometimes metaphors became their own metaphors yet again. This poem's images are strong, such as "the iron gates of life," and they create an elaborate and memorable work that is truly Baroque in style. Included are many natural elements common in life, like birds, gardens, and even the sun, which are also elements that point to a Baroque, romantic

(Rose 307) Rose cites the repeated imagery of flying in the film, finding that this matches what critic Philip Slater says about the Freudian and phallic images in the Perseus myth. Rose refers to this film, and several others of a similar nature, as modern versions of the myths, to a degree cut down from the original in order to something more visceral and more direct. In a film like

The dress is refined, but oversized and ill-fitting as befits a young boy. Here too, an Americanism is no doubt being added. Rather than make Henry Pelham appear too formal, as the scion of some great house in a European portrait, Copley reminds us that his subject is quite young and probably wearing hand-me-downs, or else some cost-saving garment into which he will eventually grow. It is a budding