Her means of survival becomes how she responds to the violence and abuse she encounters on a daily basis. Maggie's choices are made as the result of something that happens to her. She never makes a decision without being forced to make it either by some act of violence or other negative experience. While she attempts to turn her life around with Pete, we see that she can only get so far because she allows herself to become dependent upon him. While things look positive for a while, hope vanishes when Pete ends the relationship and Maggie is once again forced to do something as a reaction to a bad experience rather than make a choice in response to the good things that are happening in her life. Maggie's life ends with a dark message about life and how some individuals will never escape their harsh environment and...
Maggie is no doubt a victim of circumstance; she has little control over what goes on around her. From a Naturalist standpoint, she has very little hope because there is no escape from her life. She responds to conditions and situations and does not have the freedom to be herself because she is always reacting to something. This constant behavior deprives Maggie of any personal choice. Maggie's environment was a crucial aspect of her character and thus a critical component to her survival.
The arrival of Jake's wife and son some three years after him, rather than being a happy occasion, represents to Jake the diminishing of the exciting, new life he has tried to build for himself in New York. After the arrival of his wife, Jake "thought himself a martyr, an innocent exile from a world to which he belonged by right and he frequently felt the sobs of self-pity mounting
The Adventures of Huckleberry Finn is perhaps the best example of Realism in literature because of how Twain presents it to us. Morality becomes something that Huck must be consider and think out as opposed to something forced down his throat. He knows the moral thing to do would be to report Jim, noting, " "People would call me a low down abolitionist and despise me for keeping mum --
Her husband ignores her and as she becomes increasingly aware of the wallpaper, she is slowly losing herself. Her worst obstacle is not her illness but her husband and this is the reality that Perkins-Gilman establishes. The conclusion of the story brings us to the realization that the narrator will suffer because she is a women and she finally loses the battle when she confesses that she has "got
Eugene O'Neill's play, "The Emperor Jones (1921)," is the horrifying story of Rufus Jones, the monarch of a West Indian island, presented in a single act of eight scenes of violence and disturbing images. O'Neill's sense of tragedy comes out undiluted in this surreal and nightmarish study of Jones' character in a mighty struggle and tension between black Christianity and black paganism (IMBD). Jones is an unforgettable character in his
Stephen Crane: A Great Writer of American Naturalist Fiction and Non-Fiction, and of Local Color Stephen Crane (1871-1900) was an American author of the late 19th century, whose work, in terms of style and sub-genre, was somewhere between American Romanticism and American Naturalism (with some American Realism added). Crane wrote at the end of a century (the 19th), a time when several literary styles and genres are typically blended together until
.. It was a goddess, radiant, that bended its form with an imperious gesture to him. (Conrad 81) Crane thus suggests how the heat of battle becomes focused on a symbol, in this case the flag, and soldiers emerge from battle with this new symbol clearly in mind. The imagery used makes an association between the flag and a goddess, thus indicating a sexual appeal at the same time. Henry changes in
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