This is another example of how truthfulness and realism are not always synonymous. The naturalness of the bathers is shown by making the lines of their bodies similar to the lines of the natural landscape. Henri Matisse's "The Joy of Life" is not even an arrangement of posed figures like Cezanne and Picasso's works of art, rather it is a cacophony of color and the rounded, nude sensual female figures engage in various activities all over the canvas. The truth of the joy of life is not represented in a singular principle of beauty, or a clear, narrative scene or pose, but in an almost confetti-like fashion of figures. Over Matisse's canvas different women, some with faces, some without faces, engage in traditional activities of joy, like dancing in a circle or playing the pan pipes. These activities might be also found in Renaissance paintings, but the level of enthusiasm for life in the artist's heart is shown is the artist's clear stylistic...
The depiction of the figures is flat, but not to create a sense of coolness, as in Picasso, but to allow the viewer a panoramic view of a multiplicity of activities from a variety of vantage points. The joy of life is everywhere, not in a single location, or seen from a singular perspective. There is no singular focus in the work, not even a lake like in Cezanne's work, or a single individual.
(Pablo Picasso: Wikipedia, the free encyclopedia) Also he was very a possessive individual who had a love-hate relation with his old friends. (Pablo Picasso: A Passion to Create) Even though Picasso was not a mathematician or a philosopher, the works he and Braque delivered between the years 1911 and 1918 was greatly bound to the perceptions of thinkers including Einstein and Alfred North Whitehead. Even before any Pop artists were
Pablo Picasso: Guernica "Guernica": How it Is Meant to Be Seen" "Guernica": How it Is Meant to Be Seen" Picasso's influences and culture, and artistic movements Before discussing Picasso's Guernica and, we must first understand the historical and political atmosphere of the time period in relation to Picasso's life and work. Pablo Ruiz Picasso was born in Malaga, near the southern tip of Spain, on October 25, 1881. As a child, he displayed great artistic
Classicism and surrealism After the World War 1, neoclassical style of artwork was seen by Picasso. The paintings done by Picasso in this period were akin to the work done of Ingres and Raphael. It was in the 1930s when harlequin was substituted with minotaur. His utilization of minotaur was partially due to his connection with surrealists, who even now and then made use of it as their representation. During the Spanish
The following year, Picasso would wrap up the Blue Period with his Portrait of Suzanne Bloch. The man and woman to the left of the painting appear to be very concerned about their fate. Theirs seems to be a tragic love, doomed to some inevitably bleak conclusion, and the lovers seem to be aware of this. One possible interpretation is that the clothed woman is not meant to represent fate
Picasso and Braque Picasso Pablo Picasso is often revered as the creative genius who initiated many of the trends, styles and movements in Twentieth Century art. His name is associated with experimentation and innovation in modern art which took painting and sculpture in new and exciting directions. It should also be borne in mind that Picasso was one of many artists during the early and middle Twentieth Century who worked to produce new
Girl With Mandolin According to John Golding, Pablo Picasso's 1910 rendition of Fanny Tellier entitled "Girl with Mandolin," is "not only one of the most beautiful, lyrical and accessible of all Cubist paintings, but is also a valuable document of the period." Golding's comment points to the historical significance of Picasso's development of the cubist style during the early twentieth century, a style that he and fellow artist Georges Braque popularized
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