But the snake has never actually turned against the poet and bared its fangs. It merely moves along the way, without stopping to say hello or goodbye. This is why that although the is a nature lover: "Several of nature's people/I know, and they know me;/I feel for them a transport/Of cordiality;" she has never warmed to the snake, and its seeking out of the coolest and boggiest places. Like other natural creatures in the poet's embrace, the snake is honored with humanization as a fellow. The poet acknowledges her prejudice against those individuals who possess a snake-like nature, who hide from her, comb the ground, or seem like a whip and then disappear. But that does not make the snake any less of a fellow being, any more than a dislikable human fellow one does not 'take' to, personally. This is why she "But never met this fellow, Attended...
"Emily Dickinson as visionary." Raritan. Vol. 12 Iss. 1, pp. 113-25. p http://www.cswnet.com/~erin/ed12.htm
Emily Dickinson and Ezra Pound Ezra Pound's poem "The River-Merchant's Wife: A Letter" is inspired by Chinese poetry, and dramatizes the situation of the Chinese wife of a traveling salesman. In its empathetic portrayal of the life of a woman, it resembles poems by Emily Dickinson -- but the difference is, of course, that Pound's form is fundamentally dramatic. Pound announces, in his title, the speaker of the poem. Dickinson's lyric
Emily Dickinson and "The World is Not Conclusion" The poems of Emily Dickinson have been interpreted in a multitude of ways and often it is hard to separate the narrator of her works with the woman who wrote them. Few authors have such a close association between the individual and their work as Emily Dickinson. In Dickinson's poetry, the narrator and the poet are often seen as interchangeable beings. Themes that
" typical way in which a poem by Dickinson is structured is by the use of the "omitted center." This means that an initial statement is followed by an apparent lack in development and continuity and the inclusion of strange and seemingly alien ideas. However, these often contradictory ideas and images work towards a sense of wholeness and integrity which is essentially open-ended in terms of its meaning. "Often the
The study of geology becomes a central underlying theme in many of her works due to the influence of Hitchcock. Dickinson adopted the view that the study of nature should be an intermingled spiritual as well as naturalist journey, and as a result, places strong emphasis on how to explore spiritual and romantic Truth, through the allegory of nature and geology. Dickinson's poetic vision was not to advocate the strong
.. "I could not see to see" (from Dickinson, "465"). Words; phrases, and lines of poetry composed by Dickinson, within a given poem, are also typically set off, bookend-like (if not ruptured entirely at the center) by her liberal use of various punctuation "slices" (or perhaps "splices" is the better word) appearing most often in the form of either short and/or longer dashes (or combinations of these), e.g.: "-"; and/or
Emily Dickinson's poem 632 ("The Brain -- is wider than the sky -- ") is, in its own riddling way, a poem that grapples with the Christian religion, while at the same time being a poem about the poetic imagination itself. Dickinson's religious concerns are perhaps most evident when considering the form of the poem (and indeed the form of so many of her poems). The meter and the rhyme
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