Helen and Miss temple are appealing to Jane because she discovers something in both of them to which she feels she should aspire. Upon overhearing a conversation between the two women, Jane writes, "They conversed of things I had never heard of: of nations and times past; of countries far away; of secrets of nature discovered or guessed at. They spoke of books: how many they had read! What stores of knowledge they possessed!" (76). This passage emphasizes the importance that Jane places not only on knowledge but the sharing of that knowledge. The eloquence of their conversation set a standard to which Jane would measure for the rest of her days. What we must note from these observations thus far is that while Jane is the narrator of this story, she has no qualms sharing the limelight with those of which she is fond. In fact, it is through their discourse that we learn more about our heroine.
The more encounters and friendships she established, the more we learn about Jane. During her stay at Thornfield, Jane feels dejected and her sole recourse for any amount of companionship is with Mrs. Farifax. Jane is pleased to know her but becomes painfully aware that she cannot provide Jane with the intellectual stimulation she needs or desires. She writes, "There are people who seem to have no notion of sketching a character, of observing and describing salient points, either in persons or things: the good lady evidently belonged to this class" (112). Mrs. Fairfax does not have a knack for enlightening conversation but Jane was drawn to her despite this fact.
We see a meeting of the minds with Jane's relationship with the Rivers sisters. Jane carries a great amount of respect for them because they can relate to one another. They shared the same interests and Jane could "converse with them as much as they wished" (385). In addition, we are told, "There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time - the pleasure arising from perfect congeniality of tastes, sentiments, and principles" (385). When she describes how similar the women were, she writes, "Thought fitted thought; opinion fitted opinion - we coincided, in short, perfectly" (386). They learned from one another with Diana teaching Jane German and the sisters watching Jane draw. Jane describes their time together as "Mutually entertained" (386) with the days passing "like hours, and the weeks like days" (386). The sisters "could always talk; and their discourse, witty, pithy, original, had such charms for me, that I preferred listening to, and sharing in it, to doing anything else" (436) and their spirits were like "life-giving elixir" (436). Here we an admiration that is similar to that of Miss Temple and Helen in that Jane holds these women in the highest regard and truly cherishes the time she spends with them. This time, as we must know by this point, must include a certain level of intellectual stimulation.
Perhaps the character that deserves the most attention in regard to their importance in Jane's life is Rochester. It is with Rochester that Jane feels truly connected and eternally bound. She holds him with the highest esteem regardless of his mistakes and shortcomings and this is significant to realize because their relationship is founded upon their discourse as human beings. More than anything else, the two appreciate one another for what they provide intellectually. Jane understands the importance of this when she writes, "I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in... I could still meet him in argument without fear or uneasy restraint; this suited both him and me" (169-70). This passage encapsulates the foundation of their relationship - Jane has no difficulty approaching Rochester and this is the very quality that attracts him to her. This is only reinforced at the end of the novel when Jane writes, "We talk, I believe, all day long: to talk to each other is but a more animated...
Bront plays with foreshadowing with this scene because Blanche Ingram will soon enter the story. Another powerful scene that connects weather and Jane's emotional state occurs when Jane realizes that Rochester is already married. She writes from a forlorn state of mind: Jane Eyre, who had been an ardent expectant woman-almost a bride-was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at
art historian W.J.T. Mitchell asserted that there is no doubt that the classical and romantic genres of landscape painting evolved during the great age of European imperialism but have since been retired, accepted as part of the common repertory of kitsch. In their induction in the quotidian consciousness of art, the seemingly simple representations provided by landscape paintings garnered acclaim for their ability to explore a dual metaphoric and physical
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