Verified Document

Mythological Concept Research Paper

Related Topics:

Myth Peter Jackson's Lord of the Rings follows the basic concepts and structures of classical mythology, including having heroes who embark on journeys of self-discovery, and those journeys of self-discovery are often thrust upon them. For example, Odysseus in Homer's Odyssey did not want to get thrown off course after the Trojan War. It was Athena and Poseidon's fighting that led to Odysseus's fateful storm that caused him to flit from island to island over the course of about twenty years. He learned a lot on the journey, but it was painful at times. Similarly, Frodo Baggins is thrust into a situation in which he goes on a long journey. It is as if he is at the mercy of the gods, but ultimately he is the keeper of his own fate. The other themes in Lord of the Rings that are akin to mythology include the theme of death and rebirth. In Lord of the Rings, Frodo undergoes a major personal and spiritual transformation as a death and rebirth symbol. This is similar to the way gods like Osiris and Jesus die and are reborn, and through this experience have a lesson to teach to humanity.

In Lord of the Rings, Bilbo Baggins...

Parts of this document are hidden

View Full Document
svg-one

Joseph Campbell talks about the stages of the hero's journey in The Hero with a Thousand Faces. The hero first receives the call to adventure, and resists the call. This is an integral part of The Lord of the Rings, as Peter Jackson spends much time developing the resistance in Bilbo Baggins's character. Hobbits are inherently resistant to change, and they prefer the comfortable life in the shire. The discomfort of change is part of the hero's journey. Also integral to the hero's journey is the aspect of supernatural aid. In Homer's Odyssey, for example, the goddess Athena is the spiritual aid that guides (but does not interfere with) Odysseus. In The Lord of the Rings, an unseen force or guide protects Bilbo Baggins. Framed as a narrative of good vs. evil, there is no actual god or demon in The Lord of the Rings, only absolute forces that can have influence or sway over individual actors. The character of Golem is an example of a character who is weak and easily swayed, but is morally neutral. However, Bilbo does have the positive guidance of Gandalf the wizard, who represents the sort of…

Sources used in this document:
Works Cited

Campbell, Joseph. The Hero with a Thousand Faces. Novato: New World Library, 2008.

Homer. Odyssey.

Jackson, Peter. The Lord of the Rings. Feature Film. 2001.
Cite this Document:
Copy Bibliography Citation

Related Documents

Mythology
Words: 1483 Length: 4 Document Type: Term Paper

Mythology The classical myths of Greece and Rome have much in common with medieval myths, because ultimately, all myths have elements in common. The Greek and Roman myths dwell most often on heroes, Gods, and Goddesses. Their characters are larger than life - someone the reader can look up to. Medieval myths also heavily rely on heroes who commit heroic deeds, such as Charlemagne and King Arthur. One difference is many

Mythology Overall, I Do Not
Words: 335 Length: 1 Document Type: Assessment

With respect to the mythology of the male gods, Zeus, Apollo, and Hephaestus seem to be a combination that matches the dynamism of their female goddess counterparts. These gods represent the good and the bad of males; they also represent the spectrum of power and balance of male energy. There is no one god or goddess myth that I feel fully represents the tension between male and female gods because

Myth Within Art: The Birth
Words: 883 Length: 2 Document Type: Essay

Interestingly, Venus is a goddess of love, beauty, and fertility, which is significant, since she was literally created from the male genitalia, and males were more strongly linked to sexuality than females, even at that point in Roman history. In the rest of Roman and Greek mythology, Venus/Aphrodite generally plays a benevolent role, though she does use influence women to use their sexuality in inappropriate ways, such as the

Mythology, Folklore Irish Myths and
Words: 3378 Length: 10 Document Type: Research Proposal

"Yeats's flight into fairyland begins in his early childhood with Celtic folklore, 'the chief influence of [his] youth,' and climaxes in his early twenties with the 1888 publication of his first book" (Ben-Merre 2008). Yeats was commissioned to "gather and record the fairy and folk tales of the Irish peasantry" in what eventually became Fairy and Folk Tales of the Irish Peasantry (Foster 76). "The collection includes descriptions of

Mythology the Joy Luck Club
Words: 348 Length: 1 Document Type: Term Paper

However, there are everything from language barriers to misunderstandings and demands between mothers and daughters. In this, it could be the story of any mother and daughter anywhere, because it tells the tale of two different generations with different ideas and different aspirations. The characters reconcile in the end, so as in many myths, the ending is "happy" and gives hope for the future, and teaches a lesson at

Mythology According to Her Promise
Words: 688 Length: 2 Document Type: Term Paper

Calling her the worst names he could, insulting her honor and degrading her spirit, the Storm God beckoned forth all the clouds he could and harnessed the wind, thunder, and lightening to use against her in battle. Hearing his brother insult his wife, the Sun God began to brandish his armor and prepare for war. Storm clouds gathered, thick and black and completely obscuring the sun for hours. The people

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now