One of the most ubiquitous features of human culture, myth relies on storytelling as its primary vehicles. As a type of storytelling, myth depends on symbolism, which is why the substantive nature of a myth remains the same even when the details of the story may change or assume new meaning when it is applied to another society or historical epoch. The cross-cultural study of myths may explore similarities and differences between the overarching narratives told in different societies. Or, focusing on one society, an anthropologist might demonstrate how myth functions as a means of perpetuating the norms and values that bind together members of the community. Moreover, anthropologists study the way myth embeds itself into dimensions of culture such as art, music, language, or politics. Myth embodies meaning, adding tremendous weight to the differentiation between the sacred and profane aspects of life. Ultimately, myth is integral to the construction of identity, ethos, and ontology. Myth becomes central to the construction of identity. In his analysis of Melanesian culture, for example, Malinowski shows how myth informs all the other dimensions of life that give purpose and structure to the society: aspects like morality and how to navigate ethical complexities. Myth is the basis for externalized activities that also define identity or membership in the community. Ritual is the best example, including the rituals that comprise initiation rites or rites of passage. Anthropologists work within a theoretical orientation similar...
Myth also contributes to the construction of identity in that it forms the building blocks of semantics within any given society. Ellis points out that myth functions as a symbolic language and that language is then used to imbue other elements like dance with meaning. Tribes or large societies differentiate themselves from one another...…in societies that rely more on science than religion may also continue to enact rituals and rites as a means of reinforcing identity and preserving the unique features of the culture to which they belong. Even when they no longer count as sacred stories, myths still provide keys to understanding the nature of heroism, or the importance of endurance in the face of suffering.
She provides a thorough account concerning how Buddhism is one of the religions that came to have a strong influence on people's understanding of their culture. Thailand is a location where Buddhism is an active part of people's lives and this means that religion can actually be considered an important tool for ethnographers wanting to find out more about the country's culture. 2. Victor Turner provides a complex account regarding
Initiation ceremonies could last for weeks, involving singing and dancing, story telling, body decorations and ceremonial objects. Some of the stories are open to all the people of the tribe, while others are secret and meant only for the initiates. During funeral ceremonies, the people of the tribe would often paint themselves white and mourn by cutting themselves. Rituals may involve songs and dances focused upon helping the deceased leave
Anthropology The Songs of Salanda and Other Stories of Sulu by H. Arlo Nimmo is loosely based on the experiences he had conducting field work as an anthropologist. Nimmo injects into the narrative insight based on the two years in the mid-1960's he spent living with the nomadic boat-dwelling Bajau in the Sulu Islands of the southern Philippines. The book contains a total of 16 stories, many of which describe the
As Tapper (1995) points out, the three major approaches of Western social theory are each "flawed by their commitment to positivism, objectivity, and scientific detachment," (p. 186). Some may wonder how it could be possible to study religion with scientific detachment, since scientific detachment is partly defined by the absence of religious sentiment. If a historian is too detached, he or she cannot come to terms with the language
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and
Religion is an analysis of seven works that the author, Daniel Pals, believes have shaped the understanding of religion in the past century. These theories represent seminal attempts to see religion in its social context as a system of values and beliefs, something that would be popularized by French structuralists and students of myth and semiotics in the last half of the 20th century. The theories reviewed put forth
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