The key to understanding the process that makes the tones of this melody a melody at all, a piece of music, we found not in the relation of the tones to any particular feeling but in the relation of the tone e to the tone d (Zuckerkandl, 1956).
Music and the "life" behind it is so interpretational. The more that I read the writings of Zuckerkandl I realize the significance of something as small as a tone. To truly understand how one piece of music can be interpreted in numerous ways by different people. One piece of music or even a small melody can invoke a conglomerate of emotions, from one person to another. There are pieces of music that can bring you to tears or feelings of pure elation.
Music therapy has the implications of being quite significant. However, I see there being a few problems in the structure of the theory. If it is so possible for there to be so many different interpretations in music, then it is only fair to say what music would work in therapy. Zuckerkandl also refers to how psychology and music are so far apart from each other; he reports that they look at the physical word from different points-of-view. Considering this allows one to see that here in itself is a flaw in the whole ideology of it all. How can you use something in a field for which you feel there is...
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