The study occurred in a self-contained classroom for children and youth with autism, which was housed within the special education department of a large state medical center. The classroom included four students, one certified classroom teacher, and three paraprofessionals. Students received one-on-one instruction; group instruction; speech-language, music, art, and adaptive physical education; and occupational therapy
An ABAB design was used to evaluate the effectiveness of rhythmic entrainment as a calming technique. The first and third phases of the study were baseline conditions during which Melanie interacted in her structured classroom environment as was typical for her schedule. This included walking into the classroom, hang'rag up her backpack, reviewing her daily schedule, eating breakfast, checking her schedule, going to the rest-room, rechecking her schedule, and participating in calendar time. During the intervention phases, Melanie's schedule remained the same, while the entrainment music played on the tape recorder for 20 minutes. The volume was set on 3, with the loudest setting of 10 and the quietest setting of 0. Data collection stopped when Melanie left the classroom (i.e., to use the bathroom) and resumed when she returned. Music ceased to play after 20 minutes of data collection. Data were collected by both the first author and the classroom paraprofessional on the frequency of head jerking and screaming each morning for 20 consecutive minutes during the class opening session. Before data collection on head jerking and screaming began, the behaviors were operationally defined and interrater reliability was achieved between the first author and the classroom paraprofessional with 100% accuracy over five sessions.
Interobserver reliability was calculated with each interaction component as an individual data point using the following formula: agreements/agreements plus disagreements times 100. Interobserver reliability was calculated as 100%.
Melanie's head-jerking behavior was stable during the first 7-day baseline condition, with a mean occurrence of 49 and a range of 48 to 50. During the first intervention phase, head jerking appeared to decrease, with only one incident above the mean of the first intervention phase. The mean occurrence of head jerking across the 7-day intervention phase was 29, with a range of 6 to 93. The second baseline appeared erratic. During the 7-day span of the second baseline, the mean occurrence of Melanie's head jerking was 57, with a range of 7 to 94. The second intervention phase showed that all data points were below the mean of the first and second baselines, with a mean occurrence of 13 and a range of 3 to 43.
Melanie's screams appeared stable during the first 7-day baseline condition (with a mean occurrence of 5 and a range of 3 to 10). The screams decreased overall during the first intervention phase. Six of the seven data points were below the mean of the first baseline condition. One data point revealed a much higher number of screams. Melanie's mean occurrence of screams was 3, with a range of 2 to 14. The second baseline showed a similarly erratic pattern to the second head-jerking baseline. The mean occurrence of screams was 10, with a range of 4 to 17. During the second baseline phase, six of the seven data points were below the means of the first and second baseline phases, with a mean of 3 and a range of 0 to 15. Figure 2 shows the complete results of the screaming intervention.
Another study involving the observation of autistic and Ausberger's syndrome children between the ages of 5 and 12 concluded that music provides an alternative means of communication for those who are nonverbal, and for others it can help to organize verbal communication. Music can improve self-esteem, as the child is given an activity he or she can potentially excel in. Finally, playing a musical instrument gives persons with autism a typical means for engaging in social interaction in school and in the community, centered on their strength. (Shore, 2002)
Conclusion
In conclusion, researchers agree that there needs to be more research done on the effect of music therapy on autistic children. The case studies revealed tentatively established a link between music therapy and the reduction of disruptive behavior -- head-jerking and screaming; for example -- however, more research is needed to established positively the effects of music therapy on autism in children.
References
Akerley, M.S. (1992). The last bird. In E. Schopler and G.B. Mesibov (Eds.). High functioning individuals with autism (pp. 266-275). New York: Plenum Press.
Alvin, J. & a. Warwick (1991) Music Therapy for the Autistic Child.: Oxford University: Oxford.
Music therapy as a formal discipline emerged soon after the Second World War, when veteran's hospitals across the United States started to host musicians to improve quality of life of patients. Since then, a wealth of scientific literature has emerged about the efficacy of music therapy. Nearly every patient population seems to respond to music therapy, including animals. Music has been shown to have anti-anxiety, pro-immunity properties and can raise
This is particularly the case in elderly patients who suffer form various debilitating diseases and conditions, where it has been found that music therapy produces positive outcomes. References Anatomy of Melancholy. Retrieved April 8, 2008, at http://etext.library.adelaide.edu.au/b/burton/robert/melancholy/S2.2.6.html Bhat, M. Udupa S. (2003) the Evolution, Appreciation and Representation of Music. MCGILL JOURNAL of MEDICINE, 7(2), pp. 190 -195. Black bile. Retrieved April 8, 2008, at http://www.answers.com/topic/melancholia. Complementary and Alternative Approaches to Biomedicine. Retrieved April 9,
The shaman's use of animal language, or pre-literate languages, and other ritualistic methods of communication, like music and drumming, have parallels in the 'different space' created by the therapist in his or her office. In therapy, different forms of communication, the formulaic 'text' of conventional analysis, the release of drumming, or rhythmic pounding, and music play therapy for small children may be used to help the patient touch base with
This contrast in conjunction with the singer's frequent maniacal laughter summons an astonishingly clear image of a woman trapped within herself. Her laughter is crazed with fear and she repeats the words over and over again, unable to move beyond that singular point in time. Once again, a very complex idea is expressed that as quite transparent to analysis. The final excerpt, entitled "Oh My Child" seems to be about
According to this conception, the musical meaning of our Beethoven melody would lie in its expressing the feeling of joy, with power far exceeding that of Schiller's poem and of all words. The key to understanding the process that makes the tones of this melody a melody at all, a piece of music, we found not in the relation of the tones to any particular feeling but in the
However, this was when the musical elements that were so deeply rooted into my belief system, into my very soul started to appear and I began to clearly recognize that it was possible to pursue the existence of something even stronger and deeper in the world of art, more specifically in the world created by sounds. Possessing both a keen ability to observe and a very strong aptitude to recall
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