Music therapy as a formal discipline emerged soon after the Second World War, when veteran's hospitals across the United States started to host musicians to improve quality of life of patients. Since then, a wealth of scientific literature has emerged about the efficacy of music therapy. Nearly every patient population seems to respond to music therapy, including animals. Music has been shown to have anti-anxiety, pro-immunity properties and can raise dopamine levels in the brain (Landau, 2013). Moreover, music therapy is a tool that also can be used with patient populations from different age groups and cultural backgrounds. Music therapy has proven especially promising in helping children with autism because of the way music transcends language and enables a more direct and authentic expression of emotional and psychological content (Laudau, 2013). The elderly have responded well to music therapy, too, and so too have patients with Alzheimer's disease. Music therapy even has an impact on unborn babies and neonates, as well as their anxious mothers (Schlez, Litmanovitz, Dolfin, Regev & Arnon, 2011). Because of the universality in its application, its near complete lack of adverse side-effects, and its proven link to healing a number of different conditions, music therapy should become an integral part of health care.
The American Music Therapy Association (2013) defines music therapy as "creating, singing, moving to, and/or listening to music" to evoke positive psychological change. Much research on music therapy involves the participants actively engaged with playing and creating music. For example, Schlez, et al. (2011) found that live harp therapy helped to reduce maternal anxiety, especially when it was combined with kangaroo therapy.
Music therapy has a significant impact on mental and physical health outcomes. Lowered heart rate and improved cardiac health may result from using music therapy. Research shows that music therapy is as effective as relaxation exercises in reducing the incidence of cardiac complications (Guzzetta, 1989). Music therapy has been used on specific patient populations such as children with terminal illnesses. In one study, pediatric patients with terminal cancer were offered music therapy, and it was found that a variety of music therapy interventions including composition, playing, and listening helped to alleviate emotions like fear and anxiety (Fagen, 1982). Fear, anxiety, depression, and other mental health issues are primary focuses of music therapy research. Music therapy has been proven effective on veterans with post-traumatic stress disorder (PTSD). This is true for different types of music therapy including active playing and also listening. As Landau (2013) points out, sometimes playing music can bring up initial anxieties that seem to exacerbate the PTSD symptoms, but eventually the individual overcomes the anxiety and finds a place of peace. One woman showcased in the Landau (2013) article was suicidal before she found music therapy. After music therapy sessions, she joined a band and turned her life around.
Depression is in fact an area in which music therapy is proving especially effective. Recent research shows that even just listening to music in a structured way via music therapy can reduce symptoms in people diagnosed with clinical depression (Erkkila, et al., 2011). In this study, background music therapy was used. The different types of music therapy may have different effects on different people at different times. This is why music therapists are adept at understanding what types of interventions to use for each patient. Some patients will respond better to background music or listening; whereas others need the high stimulation of playing music or composing music. Others might want a combination of types of music therapies.
Furthermore, music therapy is equally as effective at improving the quality of life of those who do not suffer from a debilitating or life-threatening condition. In Healing at the Speed of Sound, Campbell & Doman (2012) write for a general audience. Their work is rooted in evidence-based practice, but they present the material for people who want to learn how to incorporate sound and music therapy into their daily lives. The first chapter, for example, is about the importance of starting each day with healthy and happy sounds. The brain responds to positive sounds by "mirroring" what it perceives (Campbell & Doman, 2012, p. 3). The implication is that music creates the law of attraction in which the positive emotions help the person attract positive situations. Campbell & Doman (2012) advise the use of "sound breakfast" each morning to ensure a positive start to each day (p. 4).
Although music therapy as a formal discipline did not emerge until the 20th century, knowledge of the power of music had been around for millennia. As the American Music Therapy Association (2013) points out,...
This is particularly the case in elderly patients who suffer form various debilitating diseases and conditions, where it has been found that music therapy produces positive outcomes. References Anatomy of Melancholy. Retrieved April 8, 2008, at http://etext.library.adelaide.edu.au/b/burton/robert/melancholy/S2.2.6.html Bhat, M. Udupa S. (2003) the Evolution, Appreciation and Representation of Music. MCGILL JOURNAL of MEDICINE, 7(2), pp. 190 -195. Black bile. Retrieved April 8, 2008, at http://www.answers.com/topic/melancholia. Complementary and Alternative Approaches to Biomedicine. Retrieved April 9,
The shaman's use of animal language, or pre-literate languages, and other ritualistic methods of communication, like music and drumming, have parallels in the 'different space' created by the therapist in his or her office. In therapy, different forms of communication, the formulaic 'text' of conventional analysis, the release of drumming, or rhythmic pounding, and music play therapy for small children may be used to help the patient touch base with
This contrast in conjunction with the singer's frequent maniacal laughter summons an astonishingly clear image of a woman trapped within herself. Her laughter is crazed with fear and she repeats the words over and over again, unable to move beyond that singular point in time. Once again, a very complex idea is expressed that as quite transparent to analysis. The final excerpt, entitled "Oh My Child" seems to be about
According to this conception, the musical meaning of our Beethoven melody would lie in its expressing the feeling of joy, with power far exceeding that of Schiller's poem and of all words. The key to understanding the process that makes the tones of this melody a melody at all, a piece of music, we found not in the relation of the tones to any particular feeling but in the
However, this was when the musical elements that were so deeply rooted into my belief system, into my very soul started to appear and I began to clearly recognize that it was possible to pursue the existence of something even stronger and deeper in the world of art, more specifically in the world created by sounds. Possessing both a keen ability to observe and a very strong aptitude to recall
Music in the therapeutic context is, as Ansdell puts it, "neither pure feeling nor pure form," (128). Rather, music opens the door for a dialogue and communication between client and therapist that might otherwise never occur. As with any form of creative expression, music ultimately depends on an audience. Otherwise, music cannot be used in a therapeutic setting because the medium is instrumental in helping the client "to get beyond
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