Just as we can be sure that once we cross the border out of the United States the laws that we are governed by will not be our own; so, too, can we be sure that our cultural tastes in Western music will differ too amongst the people whose culture we enter as we leave the United States.
Like Byrne, Jeff Todd (ed., 1992), emphasizes the point that each culture will have its own music; Mexico and Latin America have Salsa, and other cultural music as we move south through South America, and into the Caribbean islands, like Cuba. In each of these places, we find folk and cultural variations of music that, in the context of their culture, are easy to enjoy, but not necessarily what we would choose to listen to at home instead of Bob Seger or Joe Cocker. Even the way in which music is referred to, varies; not all cultures call it music (Todd, 1992).
A picture then begins to unfold of world music as something very different than what we are used to; but not so different, so unique, as to cause us to pursue it a level of phenomena in the way that Americans often pursue things or interests of different, strange, or unique nature. Rather, Americans wait to be lured to new things, including music, through clever advertising, or in the case of YouTube, the internet self-expression sensation; then when one is caught completely off guard, candidly -- or as candidly as one can be with the knowledge that they are linked to the internet where thousands, or even millions of voyeurs will be peeking in on them. Such was the case some years ago of a young high school student who videotaped his self chair rocking/dancing to a Hungarian rock rhapsody, becoming a YouTube most viewed (at that time) sensation. Equally important, however,...
Aristoxenos, two centuries after Pythagoras released his model, sought to discredit the standing theories held by Pythagorean devotees. In his works, he established that numbers are not relevant to music, and that music is based on perception of what one hears, not any mathematical equation. Descartes as well as Vincenzo Galilei (Galileo's father) both also discredited the music-to-math theories that formed the revolutionary basis for Pythagoras' music work, but not
Music and Censorship (Question 2) The most "dangerous" aspect of art, or at least the aspect of art most threatening to entrenched power, is the way in which art is able to point out how all meaning is socially constructed, and that there is nothing inherent to reality constituting borders or boundaries of human thought or action. In order to see how this is the case, one need only look as
Studies here included in this set are evaluations of large multisite and single site after school programs; evaluations of school- and community-based models; evaluations assessing a narrow to a broad range of outcomes; key developmental research studies; and key meta-analyses and research syntheses (Little, Wimer, and Weiss, 2007, 3). In Music for Citizenship, David J. Elliott, he elaborates upon the vision of Paul Woodford in Democracy and Music Education who
Music and Dance in Indian Films In sheer quantity, INDIA produces more movies than any other country in the world-over 900 feature-length films in at least 16 languages, according to a recent industry survey. This productivity is explained by several factors: the size of the Indian audience, low literacy rates, the limited diffusion of television in India, and well-developed export markets in both hemispheres. (http://worldfilm.about.com/cs/booksbolly/) In its historical development, India's film industry
Latin American Music Music Industry The music industry is undergoing a global technological revolution which has been induced by the introduction of Peer to Peer (P2P) file sharing services, and the proliferation of recordable CD equipment which his now within the financial reach of the average consumer. Any one of these three influences alone could have been absorbed by the recording industry. The presence of a P2P service which was limited only
The event is held yearly but has only limited opportunity for profit, as the venue, rather than direct ticket sales incur the cost of the events. In other words the venue is slightly different than the standard concert or tour experience, because the overall support of the whole event (the County Fair) offsets the costs incurred by the label and the artist's tour systems. The Label has been actively
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