Again, I would find here that in spite of my assumptions entering into the process that the technology now available has been the primary cause of damage to the record industry, the poor practical orientation of the record industry seems to be the real catalyst to its dramatic collapse. As McCready points out, making money on album sales through a record company has always been a convoluted and dubious process. Accordingly, McCready reports that "Record companies try to make the royalty rate paid to artists as attractive as possible. They may give you a generous royalty rate. However, in addition to the reduced royalty rate on CD's sold outside normal retail channels, there are also many reductions in your royalty rate. I said that the financial terms are often 15 pages or more. Well, your royalty rate is on the first page and the remaining pages are all the reductions. It is impossible to determine how much a band will get for selling a CD without a calculator." (p. 1) With channels of contact on the web diminishing the value of a distributing agency, it is also increasingly becoming more sensible for those organizations which have seized on the downloading sales to find ways to repackage music accordingly. As Marino (2008) points out, this is a condition which has resulted in a diminishing focus on albums as opposed to singles. Listeners and artists alike are benefiting from such models as iTunes, where one can purchase a 99 cent song rather than a $15 album. Indeed, this article would...
Invariably, I and those I know have tended to turn to iTunes or free alternatives such as Limewire as a way of acquiring music that we might have paid for over a decade ago.
Music and the Internet in order to accommodate these specifications in the number of pages requested (though the paper is 9 1/2 pages as it stands), the paper has utilized ANALYSIS in the article and the discussion section, thereby combining article summary with analysis of sources and thus putting the second point given by the professor "Then write a separate discussion the issue as a whole…" into a proper context -however, as
Program Music Roles of The Program Music Program music refers to a form of music which tries to deliver an additional musical story musically. This story involved could be rendered to its audience as program notes, causing imaginative comparisons with its music. This concept of program music enjoys more fame and application in the European classical music world, especially during the height of romantic works in the 1800s. Program music was a very
How the Internet has Transformed the Economics and Value of Music Introduction Digital technology has transformed the way people all over the world consume music. The Digital Age has also impacted the way musicians, artists and producers benefit from making music. Prior to digitalization, music had to either be consumed live and in-person or through the purchase of a hard copy (disc, cassette tape, record, etc.). Now that music files can be
Musicians The topic of interest is the relationship that musicians have with the Internet. The Internet era has brought significant challenge for artists, especially pertaining to piracy, but there are also opportunities. The Internet, therefore, has significantly changed the media and marketing landscape for artists. Morris (2010) notes that music has largely shifted from physical commodity, being sold on CDs (and vinyl and cassettes before that) to a digital commodity. This has
Indeed, neither weather nor economy concerns appear to have deterred travelers to the event, a trend that is apparent for festivals across the world, as mentioned above. The Essence Music Festival runs for three days and includes features such as entertainment activities and seminars at the Convention Center during the day, while the nights are punctuated by concerts. It started in 1995 in celebration of Essence magazine's 25th anniversary. In
This education aims at stopping music piracy. Thirdly, there is the use of technology to stop piracy. This is quite difficult because the advancement in technology leads to advancement in the music piracy. However, knowledge in technology leads to the introduction and use of Digital Rights Management (DRM) systems. These systems limit the number of computer devices that can play a song. As a result, there is a reduction in
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