Music Producers Biographical Introduction: Teo Macero Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, Record Producer," as if readers would need that crucial bit of

Aristoxenos, two centuries after Pythagoras released his model, sought to discredit the standing theories held by Pythagorean devotees. In his works, he established that numbers are not relevant to music, and that music is based on perception of what one hears, not any mathematical equation. Descartes as well as Vincenzo Galilei (Galileo's father) both also discredited the music-to-math theories that formed the revolutionary basis for Pythagoras' music work, but not

This, along with the older Psalter by Strenhold and Hopkins, was the main influence of the Bay Psalm Book printed during 1640 in Massachusetts. This can be compared with the first musical influences on and compositions by Li Jinhui. The traditional forms were explored thoroughly before new ideas in music were explored. Culturally, the new Americans at the time were deeply religious, following the Puritan tradition on which they based

Blacks in Blues Music Biographer Lawrence Jackson wrote that author Ralph Ellison was exposed to the blues and classical music from an early age, eventually playing the trumpet and pursuing a degree in music at Tuskegee (McLaren Pp). When he moved to New York to pursue his writing career, Ellison was exposed to the musical developments in jazz and often attended the Apollo Theater, the Savoy Ballroom, and Cafe Society Downtown,

Technology in History Classes] Since the beginning of education in the U.S., the classroom setting has remained the same: Students have sat quietly in their seats with just a pencil, textbook and lined paper to practice their "readin', riting and 'rithmetic." However, the advent of new technologies is heralding a change. In a growing number of schools, technological innovations are beginning to significantly change the way that information is conveyed and

" (Blow, Kurtis) The entire movement revolved around a new way to dress, dance, talk and even walk. "The way they danced, dressed, walked, and talked was unique, as opposed to most of the disco artists and fans of the time, which were not as in touch with the urban streets of America." (Blow, Kurtis) Hip-hop represented the new generation of blacks suffering in urban poverty. The passion and truth generated