¶ … Museum displays, according to Thelma Thomas, can significantly detract from an object's inherent cultural and historical meaning. Placing an object out of context means that the viewer ceases to take into account issues such as religiosity, sacredness, emotional content, cultural relevance, and historical context. Thomas focuses her article "Understanding Objects" on the importance of creating apt and meaningful display environments for medieval objects in particular.
Thomas implies that the work of museum cataloging needs to become more multi-disciplinary in its approach. Rather than noting the size, medium, and date of production, a curator must also take into account the ritualistic, sociological, or commercial uses for the particular object. As a result, the emphasis is on the relationship between the object and its contemporary human beings, rather than only on the object itself.
Displaying a medieval or any other object with respect to its cultural and historical contexts can greatly enhance the modern art historian's understanding of any given work or art. Otherwise, modern interpretations fall short of conveying what the significance of an object was for the people and societies that produced it. For example, a museum display can be constructed around medieval objects so that they are viewed in a context most akin to the one under which they were produced. Without such a perspective, a museum piece can become too much about the dimensions and material rather than on the object's actual meaning for human beings.
Thomas uses complex academic diction and complex sentence structures. The article "Understanding Objects" is not intended for a general audience, but rather, for an audience of her scholarly peers. Thomas uses many words that are not part of the common vernacular, including diachronicity, taxonomies, provenance, vitrines, iconostasis, automata, virtuosic, sumptuous, antiquarianism, and the phrase "circumstantial unity." On the other hand, the article is succinct enough to be understandable and the author gets her point across well.
Museum Displays of "non-Western" art are qualitatively different from those displaying art that does not come from Europe or North America. Art from places deemed "exotic," or "primitive" tends to be displayed and perceived as anthropological items and indicators of culture. The conceptual arts and "art for art's sake" is frequently denied to non-Western societies. Moreover, the art of places like Oceania is sometimes referred to more as "artifact," versus "art."
Museum Comparison Art museums The Metropolitan Museum of Art in New York City is one of the most famous art museums in the world. The idea for a large museum located in the city of New York was first formulated in 1866 when the statesman John Jay resolved to create a place to house America's great art collections in a central urban area. By the 20th century, the Museum achieved Jay's goal
Museums as a Medium Museums can be characterized as a place which is basically a store and an exhibit of cultural, historical, scientific or artistic objects which people can often visit to enjoy and take pleasure in. This trend of the establishment of the museums came about way back in the Renaissance when people started taking pleasure in such unique talents and expressed themselves through various mediums like writing, drawing, painting,
Museum Event & Experience In the early 1900's, Henry Flagler built a 75-room, 100,000 square-foot home that was used as a Palm Beach winter retreat for his family. Gatherings at the residence -- known as Whitehall -- were an establishing force of the Palm Beach season for wealthy families during the Gilded Age. Flagler died roughly 100 years ago, and subsequent years saw the residence and grounds become a National Historic
Museum Methods museum is usually a non-profit organization with intent to provide education and enlightenment by the organized collection, preservation, interpretation and exhibit of items deemed to be of interest to the public or community. Historically, museums have evolved as collaborative projects to house collected works gathered for the appreciation of the current and future generations in our society. However, such definitions cannot be regarded as the last word on
Rank VI personnel: senior technician; supervisory staff, chief technician, assistant to specialists, 1 senior secretary, graduate trainee. Rank VII personnel Senior clerical staff technician senior clerk, senior switchboard, security supervisor. A junior trainee mgrs. Keeping only Sr. switchboard, Jr. trainee mgrs Skilled grade: craftspersons salaries clerk computer operator security men. Keeping 1 craftsperson, salaries clerk, and 3 security guards Semi-Skilled Grade: general driver general clerk typist/receptionists. Entertainment and publicity budget Limited events with volunteer help, donated food, drink and entertainment Total Employees Before = 55) After cuts) 34 Total
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