Museum Comparison
Art museums
The Metropolitan Museum of Art in New York City is one of the most famous art museums in the world. The idea for a large museum located in the city of New York was first formulated in 1866 when the statesman John Jay resolved to create a place to house America's great art collections in a central urban area. By the 20th century, the Museum achieved Jay's goal of becoming one of the world's greatest collections of art. Today, the Metropolitan Museum is governed by a private corporation of fellows and donors. Some of its most famous early acquisitions included a work by the Impressionist Renoir and in 1910 and it was the first museum to showcase a work by the Post-Impressionist Henri Matisse. Today, the Museum is famous for its Impressionist galleries as well as its Greek and Roman art and Egyptology wings.[footnoteRef:1] [1: "Main Building," Metropolitan Museum of Art, available http://www.metmuseum.org/en/about-the-museum/history-of-the-museum/main-building [10 Feb 2013]]
In service to the Museum's mission to bring art to the New York public in a democratic fashion, "encouraging and developing the study of the fine arts, and the application of arts to manufacture and practical life, of advancing the general knowledge of kindred subjects, and, to that end, of furnishing popular instruction," according to its Mission Statement, the Museum offers many programs specifically for children as well as strives to attract temporary exhibitions from all around the world to the Museum.[footnoteRef:2] The Museum is funded by a combination of public and private funding, including donations from philanthropists and everyday contributors. [footnoteRef:3] Income from its 'pay as you go' program comprises 15% of its operating budget. [footnoteRef:4]Like many artistic institutions in the wake of the recent economic downturn, it has been forced to make radical cutbacks in the services it offers and number of people it employs. For example, in 2008, the Met's $310 million budget was over $3 million short, due to a drop in its $2.9 billion endowment to $2.1 billion, and because of New York's financial struggles the funding from the city was slashed by $1.7 million.[footnoteRef:5] [2: "Museum Mission Statement," Metropolitan Museum of Art, available http://www.metmuseum.org/en/about-the-museum/mission-statement...
Can it be that Kuan-yin is not a precursor to Seated but rather a copy of it, produced with less attention to detail and elegance because it was intended to serve the masses? While that is possible, one cannot completely discount either that, having been created during the same century (with little information to narrow down the exact year or even which half of the century), and with so
Museum Displays of "non-Western" art are qualitatively different from those displaying art that does not come from Europe or North America. Art from places deemed "exotic," or "primitive" tends to be displayed and perceived as anthropological items and indicators of culture. The conceptual arts and "art for art's sake" is frequently denied to non-Western societies. Moreover, the art of places like Oceania is sometimes referred to more as "artifact," versus "art."
Art Both Duccio di Buoninsegna and Fra Filippo Lippi paint the Christian Madonna and child scene. Lippi's "Madonna and Child Enthroned with Two Angels" is rendered on wood with tempera and gold leaf. It is rounded at the top, and was the center part of a triptych that was completed in about the year 1440.[footnoteRef:1] Also in tempera and gold leaf on wood is di Buoninsegna's "Madonna and Child." Candle damage
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art La Berceuse (Woman Rocking Cradle) (Augustine-Alix Pellicot Roulin, 1851-1930), 1889. Vincent van Gogh Dutch, 1853-1890). Oil on canvas. The Walter H. And Leonore Annenberg Collection, Partial Gift of Walter H. And Leonore Annenberg, 1996 The world of art is diverse and rich coming together for appreciation overcoming all cultural barriers. The story of Van Gogh and his astounding genius while creating canvases has captivated the interest and attention of millions around the world. Even when people
Rather, the vines and clusters f grapes on the tree give the piece its true softness and roundness. This is mirrored by the effect of the figures' hair. Both faun and children all possess curling flowing ringlets that seem to hang as loosely as do the grapes, emphasizing a sense of liberty in the work. The sense of softness and liberty bestowed upon the piece by the line and texture
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