MULTICULTURAL CHILDREN'S BOOKS -- AN ANALYSIS
Sociology
Multicultural Children's Books -- an Analysis
Multicultural Children's Books -- an Analysis
Children's literature more accurately reflects the many histories that construct nations such as the United States. The perspectives of children's books should be included read for this week's session for continued analysis and interpretation. Multicultural perspectives were excluded in the past for several reasons. One reason is that the cultural perspective that had the most value and was valued at all, was the white American male perspective. This is the perspective of the colonizer. It is typically those who colonize that write the history books and decide which stories are told (and how), and which stories are excluded from memory. The book of focus for the purposes of this paper is Cheyenne Again, about a young Native American boy who is taken from his tribal lands and culture, and very much forced into the lifestyle of the white American.
This book deals with stereotypes of Native Americans and of white Americans. The book is clearly told from the predominant perspective of a child and from a non-white perspective. While the child is resistant to the cultural changes he experiences, he is open and receptive to one teacher who shows humanity to him. The teacher speaks to the boy, telling him to remember that he is still "Indian on the inside" and warns not to let the white people take his memories away from him. The boy's parents have a stereotypical reaction: they believe it is better for the boy and for future generations of the tribe to learn the white man's ways. The boy reacts stereotypically: defiant. He runs away and is chained as punishment for not showing "discipline." There is also a stereotype regarding runaways: that there is a high price for their return. This is reminiscent of enslaved Africans who ran away from plantations during the times of American slavery. As they were considered property, there were often great rewards for the return of human property to their "rightful" owners. There are stereotypical aspects of the native culture that the boy longs for. In some ways, the stereotypes are true -- true to the point of being a cliche, yet the presence of these kinds of diverse perspectives are necessary and appreciated in the book, and in the canon of multicultural children's literature overall.
This book, though taken from a specific cultural perspective, does reflect conditions and afflictions that affect all people, despite cultural and ethnic differences. People are resistant to change. There have been great cultural shifts in the history of every culture and great society. Change is a part of life. Separation from family and the familiar is also something that many people go through, and in many cultures, this experiences is part and parcel in the act of coming of age. Furthermore, most adults and children can directly relate to feeling bored, distracted, and unhappy at school. Many children and adults have dreamt of or have actually run away from home or boarding school, which is the type of school this seems to be in the book -- a crude version of a boarding school to assimilate young Native American boys into white American culture. Hopefully, all of us, at one point, have had a teacher that has related to us, shared his/her humanity in such a way that our troubles seem lighter or have some greater perspective applied to them. These are some of the elements mentioned in Cheyenne Again that are more universal than culturally specific.
The perspective of this book helps readers reach mutual understanding in simple ways. The perspective of the child and his culture is maintained over the whole course of the book. Though the child's opinion is quite clear, again, the child is somewhat open to the new culture, though he may not be particularly...
It is significant to note that this story was initially published during the 1970's, which was a period of relative rest and calm following the justifiable turbulence of the 1960's. Due to this publication date, this story does not reflect the current generation, but that of at least one before it. It is interesting to consider the fact that this story was not published prior to the 1970's because many
16). In comparing a number of literary elements in one story, Smith and Wiese (2006) contend that at times, when attempting to transform an old story into a modern multicultural version, cultural meanings of the original story may be lost. In turn, the literature does not subject the reader to another culture. For instance, in the story about the fisherman, that Smith and Wiese access, the plot remains similar plot,
Multicultural Literature what is multicultural literature? What are the characteristics of quality multicultural literature? Within the latter part of the twentieth century, a pattern referred to as multiculturalism acquired popularity in American education (Almerico et al., 2006). Gay (1994) within an intensive research of the very commonly used meanings of multicultural literature recognized 13 particular explanations involving the idea and mentioned that a number of factors had been typical out of all
diversity of the different cultures. The main aim is to highlight the diversity in the form of literature. Through different research methods, the paper has been compiled with the help of different reference sites and libraries. There are different pieces of literature listed in the paper. The main aim of this is to show the different variance of culture in literature. The main focus of the paper is children's books.
One of the best examples of the mentality behind the development of the pedagogy of the oppressed, with regard to education is the evolution of the official restriction of curriculum to that which the African would need to survive in the economy of labor. A the solutions to the "poor Whites" problem, as was indicated in the Carnegie Commission of Inquiry into Poor Whites in South Africa in 1932, were
Sound Recordings Five Books for Children Bernstein, Margery. (1999) Stop that noise! New York: Millbrook Press. Best suited for young children, this book underlines how music is not something one should be intimidated when 'making' -- rather music is just wonderful noise, with rhythm, melody, and in sync with the noise of others. It tells the story of three children named Mark, Sara, and Tom who are noisy kids, not because they
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