This desire for cleanliness also makes Xiu more exotic to Lao Jin and so it can only strengthen his feelings for her. Though Xiu returns Lao Jin's love, it is a platonic, daughterly love that she feels, not a romantic or sexual love. It is possible that after all she has been through she may not be able to allow herself to feel any kind of romantic or sexual love, but even if she could feel this kind of emotion for Lao Jin, it would be in vain since the relationship could never be consummated. Lao Jin cares for her in the only way he can, which is by providing and caring for her needs. He is also a mentor and a teacher to her -- all of these things are part of the kind of relationship that one would have with a father...
Xiu may also have purposely avoided developing feelings for Lao Jin in a romantic sense because she fully expected to return home to her family at some point. It would have been very difficult for her to leave someone she cared for so deeply if her efforts to make it back home were successful. It's also for this same reason that she was seeking a father figure since her own family was taken away from her so quickly, and Xiu was so young. In this way Lao Jin came to replace her own father.Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity
Movie Critique: The Pursuit of Happyness When it comes to film making, the subject of rags to riches tales have been one of the most common subject for many filmmakers. Most film viewers have watched a number of movies that revolve around a financially broken protagonist making it big. However, in the post Y2k era, it is a common perception among many that a movie has to be high on graphics,
Film Analysis from a Design Perspective: Reading Raging Bull Elements of Design The focus of this paper is a pivotal scene from the film Raging Bull, starring Robert DeNiro as real life middleweight boxer, Jake La Motta. Jake's emotional status is reflected in multiple aspects of the film production, such as his physique and costuming, the cinematography, the editing, and the direction. Film communicates the narrative's physical reality and psychological reality with
Com). Pricilla Dean, despite her odd and some might say crooked features and curvy figure, had an interesting though brief career offering audiences a unique and fierce performance in Outside the Law in 1920 (Stanford.edu, 2011). It's rare nowadays to have published short fiction in movie magazines. This one utilizes five stars under the headline and above the title. This article demonstrates that human beings still write simple "how-to" style articles even
The natural world allows us to show of more of our individual talents, whereas the urban landscape seems to only allow us to show what is needed of us in terms of industry. Modern Times echoes these themes and images of the early representation of the modern city. However, the film is much more comedic, but with the same message. For example, the factory scene shows the same monotony. It
Film Noir Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now